Mittelschwere Noten für Posaune

Hören, lesen & spielen ist die individuelle Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Die bewährte Methode ist nach den gegenwär...

Wirkungsvolle Bearbeitung der Oboensonate - Originaltonart

This collection of 16 well-known works from the classical repertoire for trombone quartet are presented here for grade 3-5 groups. This collection was specifically arranged to allow for flexible low b...

This collection of 16 well-known works from the classical repertoire for trombone quartet are presented here for grade 3-5 groups. This collection was specifically arranged to allow for flexible low b...

This collection of 16 well-known works from the classical repertoire for trombone quartet are presented here for grade 3-5 groups. This collection was specifically arranged to allow for flexible low b...

baritone C/Bb/Eb (TC&BC) and piano

One of Debussy's impressionist masterworks for solo piano, this arrangement/transcription remains faithful to the form and harmonic structure of the lofty dance in ¾ (Debussy notated it in 9/8). The c...

Posaunenquartett

Dieser Song (vom französischen Originaltitel 'J'aime Une Tyrolienne') wurde durch das Gesangssextett 'Comedian Harmonists' weltbekannt. In Originallänge arrangiert.

Medium bounce tempo written for trombone ensemble (non professionals) and rhythm section. Not difficult. The highest note for 1st trombone is G. There are two basic 32 measure melodies. in the second...

A moving adagio with lush harmonies for Trombone Quintet. Medium.

Inspired by the laid-back 2004 recording by Madeline Peyroux, this early 20th century classic is a simple 16 bar head originally penned by W. C. Handy. The arrangement works well as a concert piece fo...

This Vincent Rose (or Puccini, as some have claimed) classic, travels gradually through time from quarter note metronome marking 64 to 124. It is a clever theme and variations style arrangement that t...

This 1902 composition served as a transition tune from ragtime to traditional (trad) jazz. Originally written in 2/4 in the key of G, it became a trad standard, in F, most often played in up tempo 4/4...