Mittelschwere Noten von Belwin Music für die Mittelstufe

This title is available in SmartMusic.

This title is available in SmartMusic.

This title is available in SmartMusic.

Energy and groove are the key elements in this burner. Kris takes Dave Brubeck's New Orleans style tunes and adapts it to the big band with style. An improvised solo for 1st alto and 2nd trumpet, alon...

This title is available in SmartMusic.

If you want Latin excitement, then this is it. Victor López does it right with Jona Jam which has the melody stated by tenor and trumpet with solos for both, fierce trombone soli, and all the Latin mo...

You guessed it, this chart is an up-tempo swinger. Les Hooper's arrangement will keep everyone moving forward on this original based on 'Rhythm' chord changes. Solo space is for tenor and alto plus an...

A power chart from one of the finest contemporary jazz big band writers today, Alan Baylock. A driving shuffle swing at a medium tempo with solos for alto, trombone and piano. Lead trumpet range to wr...

Here is a Metheny-flavored chart to feature 2nd trombone and guitar. Solo space for both is provided, a few easy meter changes to 3/4, lead trumpet range is to B-flat above the staff with an optional...

Bass 'bone players can count on one hand the good charts available for their instrument. Well, here is one of the best, arranged by Dave Wolpe. A medium-swing feel, this showcase will bring the best o...

It's electric! A high-energy jazz chart set as a samba with a funky groove and a swing feel, arranged by Eric Richards. A few features include sax solis, powerful ensemble writing, a jazz solo for 2nd...

John Coltrane's jazz standard is arranged by Kris Berg to offer strong ensemble writing, a fierce sax section soli and solo space on the 12-bar blues chord progression. It's flexible so you can have f...

La Quema del Diablo (The Burning of the Devil) is a non-stop swing-shuffle with plenty of challenges for your band. Victor López offers you a power introduction, a hip melody, solo space for tenor sax...

This piece has a cool vibe between the New Orleans-style marching beat in the drums and the horn section's Latin-style melodies and counterlines.--The Instrumentalist

Red Clay from the Premier Jazz Series is designed for highs school and college bands. Full instrumentation includes 5 saxophones, 8 brass and 4 rhythm parts. background parts are provided behind impro...

This good arrangement of a Henderson classic has a laid-back Latin feel . . . Great sax lines, loud background punches, and a neat montuno section (fast brash final chorus in Cuban music) create stron...

On a Clear Day (You Can See Forever) from the Jazz Vocal Series is designed for high school and college bands, and features vocal solos with some SATB arrangements. Full instrumentation includes 5 sax...

On a Clear Day (You Can See Forever) from the Jazz Vocal Series is designed for high school and college bands, and features vocal solos with some SATB arrangements. Full instrumentation includes 5 sax...

Also known as 'Hark! The Duke's Trumpets' and composed and arranged by Billy Strayhorn for the Duke Ellington Orchestra in 1956, this classic arrangement has no trumpets-just saxes and rhythm section....

A very hip and contemporary chart arranged and recorded by Kris Berg for his big band in the Dallas area. On this great jazz standard, there is solo space for alto, trumpet, tenor, and trombone, lots...

A very hip and contemporary chart arranged and recorded by Kris Berg for his big band in the Dallas area. On this great jazz standard, there is solo space for alto, trumpet, tenor, and trombone, lots...

The melody is stated by saxes and trumpet 2, solo space is for alto 1, tenor 1, trumpet 2, and guitar, all optional as needed. There is also space for a drum solo as well. An interlude with lower dyna...

Arranged especially for the USAF Airmen of Note, this alto ballad is outstanding in every respect. The introduction features 'bones playing the bridge, followed by the A section statement with alto an...

A Metheny-ish ballad with straight eighths with sort of a melancholy feeling, Graham Breedlove's use of color is superb, with soprano sax (alternate alto 1 included) and flugelhorns. Solo space provid...

Freddie Hubbard's great jazz waltz with the Les Hooper touch is an excellent combination. The trumpet 2 has the initial melody statement and (written-out) solo space and chord changes for alto, tenor,...