Mittelschwere Noten von Chester Music

This is the 1954 version for equal voices with accompaniment of four horns and with Russian text in both Cyrillic and transliteration.

First performance on 20th November 2007, at St George's Hall, Liverpool, by Nicholas Cox (Clarinet) and the Chilingirian Quartet, as part of the Rodewald Concert Series.

Written for two clarinets and soprano. It was first performed on the BBC's Pebble Mill on 20 November 1992 by Mary Wiegold and members of the composers' ensemble as part of a concert in aid of Childre...

For SATB choir, percussion and speaker/narrator.

Score and parts for Saariaho's Cendres, arranged for Alto Flute, Cello and Piano. Quoting Saariaho: While writing Cendres, I was mainly concentrating on the interpretation of particular musical ideas...

The score for the updated version of Miranda's Lament. Composed in 1997 and revised in 2000, the piece is part of 'The Tempest Songbook' and was dedicated as a birthday present for Paavo Heininen. The...

Score and Parts. Arranged for Soprano, Flute, Cello and Piano.

Two hymns written for unaccompanied choir by Tavener. The first is for SAATBBSAATBB double choir, and is a setting of a text from the Liturgy of St. Basil. The second is for SSATBBB choir and comes fr...

A Mediterranean, erotic postlude to a time when Davies had been much occupied with setting the Orkney poetry of George Mackay Brown. The voice, though, is the same. The mezzo part is wide-ranging and...

This work was first performed on 23rd October 1972 at the Wigmore Hall, London, by Janet Craxton (oboe), Perry Hart (violin), Brian Hawkins (viola) and Kenneth Heath (cello).

This work was first performed on 23rd October 1972 at the Wigmore Hall, London, by Janet Craxton (oboe), Perry Hart (violin), Brian Hawkins (viola) and Kenneth Heath (cello).

So we'll go no more a-roving (Byron) A Widow bird sate mourning (Shelley) The knot there's no un-tying (Thomas Campbell)

Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.

Written for viol consort. This work was commissioned by Concordia. First performance by Concordia on 17 July 2004 at the Cheltenham International Festival of Music.

Full Score.

Written for percussion and tape. The tape part is made by the percussionist prior to the performance. Commissioned by Frankfurt Ballet and first performed on 31st January 1997, at the Schauspielhaus,...

Written for soprano and ensemble (Eb clarinet, C clarinet, viola, cello, double bass) with text by Mozart.

The parts consist of Piano accompaniment, melody in C, melody in Eb and melody in Bb.

Parts for 'The Piano Sings'. Scored for Soprano and String Quartet.

First performance by the Nash Ensemble (Philippa Davies, alto flute/piccolo, Lawrence Power, viola, andLucy Wakeford, harp) on 12th July 2004 at the Pittville Pump Room, Cheltenham, as part of the Che...

First performance by the Nash Ensemble (Philippa Davies, alto flute/piccolo, Lawrence Power, viola, andLucy Wakeford, harp) on 12th July 2004 at the Pittville Pump Room, Cheltenham, as part of the Che...

This version of the work, composed for Children's Voices, Piano and Percussion, was commissioned by the Young People's Chorus of New York City. Text: Peter Porter.

The Lamb, a setting for unaccompanied choir of words by William Blake, was first performed by the choir of King's College, Cambridge on 24th December 1982, as part of A Festival of Nine Lessons and Ca...