Mittelschwere Noten von Curwen and Sons Ltd.

The vocal score for White Summer Rose by Gustav Holst. From a set of 12 Welsh folksongs, set by the composer between 1930 and 1931.

Barbara Kirkby-Mason. 'Growing-up' series number five.

A quick progress course for the piano class. Beginner's grade.

English version for SATB Choir.

Summer Bells And Country Pedlar is a piece by composer Thomas A. Johnson for Piano Duet.

In his use of authentic Englsh folksongs, Gnostic texts and Vedic hymns, one can discern Holst's search for a compositional Voice beyond the constraints of the European canon in the early 1900's. In 1...

Windy Nights, from the song trio A Child's Garland of Songs, published in 1982, displays both Stanford's gift for melody and his sensitivity to text as well as his ability to compose music that create...

In his use of authentic Englsh folksongs, Gnostic texts and Vedic hymns, one can discern Holst's search for a compositional Voice beyond the constraints of the European canon in the early 1900's. In 1...

In his use of authentic Englsh folksongs, Gnostic texts and Vedic hymns, one can discern Holst's search for a compositional Voice beyond the constraints of the European canon in the early 1900's. In 1...

An episode from the Mahabharata. For Soprano, Tenor and Bass soloists, Female chorus and orchestra consisting of 2 Flutes, English Horn, 2 String Quartets and Double Bass.

An arrangement of one of the most famous Vaughan Williams works two Pianos by Maurice Jacobson.

Composer's NoteThis piece is intended for performance in the open air, or else in a small building. When performed out of doors there should be a long avenue or path through a wood in the centre of th...

The setting of a text by Sidney Bell for men's voices, by Eric Thiman. A Piano accompaniment is included for rehearsal purposes only.

Hear My Prayer, O Lord is one of Purcell's best known devout anthems - a stirring example of the beauty and power of dissonance and word-painting that builds to a soaring climax.

Setting of a text by Helen Bantock for SATB Choir and Piano.

Poem by John Keats set to music for Tenor Solo, Chorus of Mixed Voices and Orchestra.

For Three Choirs (SSAA, SATB, ATBB). Edited from the single voice-part books in Osterreichische Nationalbibliothek in Vienna by C. F. Simkins.

A practical course of the element of music by Mrs J Spencer Curwen.

A practical course of the element of music by Mrs J Spencer Curwen.

For two hands with independent movement for use with Mrs Curwen's Pianoforte Method.

For the time lessons in Mrs Curwen's Pianoforte Method.

Version for SSAA Choir A Cappella. English words by A. L. Lloyd.

Arranged from a Barque Carol, for unaccompanied SSATB choir by Elizabeth Poston. Words adapted from the English version of Rev. J. O'Connor by Elizabeth Poston.

Written for two part choir (soprano I and soprano II) with piano accompaniment.

Arranged for two-part choir and piano.