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Julien-François Zbinden wrote this short spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d’Instruments de Cuivre (E...

Julien-François Zbinden wrote this short spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d’Instruments de Cuivre (E...

Julien-François Zbinden wrote this short spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d’Instruments de Cuivre (E...

Julien-François Zbinden wrote this short spanish tinted Concerto de Gibraltar for piano, brass orchestra and percussion (instrumentation Roger Volet) for the Ensemble Romand d’Instruments de Cuivre (E...

The Magician's Shoes are gone! A pair of shoes of a performing magician invite you on a journey of discovery and wisdom as they escape their shiny black box and set off to see what the world has to of...

The Magician's Shoes are gone! A pair of shoes of a performing magician invite you on a journey of discovery and wisdom as they escape their shiny black box and set off to see what the world has to of...

Festival Music ist 1997 komponiert worden im Auftrag von Ikemiya Music zum 600. Jubiläum des Golden Pavillon Tempels von Kyoto, Japan. Die Eröffnungszeremonien fanden dort statt, auch die Uraufführung...

Festival Music ist 1997 komponiert worden im Auftrag von Ikemiya Music zum 600. Jubiläum des Golden Pavillon Tempels von Kyoto, Japan. Die Eröffnungszeremonien fanden dort statt, auch die Uraufführung...

Vor Aristoteles (384-322 v. Chr.) und Platon (ca. 428-348 v. Chr.), vor Buddha (VI. oder V. Jh. v. Chr.) und Konfuzius (551-479 v. Chr.), in einem Zeitalter, in dem der Kalender zehn Monate hatte, das...

Vor Aristoteles (384-322 v. Chr.) und Platon (ca. 428-348 v. Chr.), vor Buddha (VI. oder V. Jh. v. Chr.) und Konfuzius (551-479 v. Chr.), in einem Zeitalter, in dem der Kalender zehn Monate hatte, das...

Vor Aristoteles (384-322 v. Chr.) und Platon (ca. 428-348 v. Chr.), vor Buddha (VI. oder V. Jh. v. Chr.) und Konfuzius (551-479 v. Chr.), in einem Zeitalter, in dem der Kalender zehn Monate hatte, das...

Vor Aristoteles (384-322 v. Chr.) und Platon (ca. 428-348 v. Chr.), vor Buddha (VI. oder V. Jh. v. Chr.) und Konfuzius (551-479 v. Chr.), in einem Zeitalter, in dem der Kalender zehn Monate hatte, das...

Suissitude (Swissness) What makes an identity? I have created 4 various musical descriptions expressing my concepts of Switzerland, and what seems to me is the essence of each section of the country a...

Suissitude (Swissness) What makes an identity? I have created 4 various musical descriptions expressing my concepts of Switzerland, and what seems to me is the essence of each section of the country a...

This piece, with its unexpected accompaniment by a string quartet, is one of the composer’s last. With the quartet Ophelia (2006), she had acquired full mastery of writing for strings, which she uses...

This piece, with its unexpected accompaniment by a string quartet, is one of the composer’s last. With the quartet Ophelia (2006), she had acquired full mastery of writing for strings, which she uses...

The Horn Concerto No. 2  for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idio...

The Horn Concerto No. 2  for horn and chamber orchestra is written in three traditional movements with harmonies tending to be more tonal oriented, but within the immediately recognizable musical idio...

Ich schrieb Passages mit mehreren Zielen vor Augen. Erstens wollte ich ein Concertino für Solotrompete schreiben, das viele verschiedene musikalische und emotionale Aspekte des Instruments in einem re...

Ich schrieb Passages mit mehreren Zielen vor Augen. Erstens wollte ich ein Concertino für Solotrompete schreiben, das viele verschiedene musikalische und emotionale Aspekte des Instruments in einem re...

If there is period in our existence which inevitably evokes reflection, it is the end of our life on earth, and for many of us the resultant doubts and interrogations regarding the hope of a future. I...

If there is period in our existence which inevitably evokes reflection, it is the end of our life on earth, and for many of us the resultant doubts and interrogations regarding the hope of a future. I...

The Triple Concerto for trumpet, horn, trombone and orchestra exploits many different textures both within the solo group and the orchestra itself. Each of the solo instruments is called upon at times...