Mittelschwere Noten von Kendor Music

Set in a moderate swing style, this version of the great New Orleans jazz anthem features written solos for lead alto and bari, and a 'quasi ad lib' solo for tenor. For added dimension, optional low-o...

These two themes from Vivaldi's Spring are a must-have addition to the library of any grade 4 clarinet quartet. The energy of the Allegro movement, teamed up with the lyric, flowing character of the P...

The quintessential recording of this chart was captured on the 1968 album called Basie Straight Ahead. Unlike many of Sammy's charts for Basie, this one starts with the Saxes and rhythm section instea...

Set in a laidback swing groove, this chart features a sax chorus, somedriving ensemble sections, and solos for trombone, tenor sax, trumpet and piano (suggested solos provided for all). Sammy says tha...

This arrangement of Scott Joplin's most famous ragtime hit will be a welcome highlight on any program. Perfect as an encore number, it will be as fun to listen to for the audience as it is to perform....

10 Jazz-Duette für Trompete und Posaune

Das Arrangement enthält eine optionale achttaktige Improvisationspassage (ad lib oder wie notiert).

Unisonospiel von Saxophon und Blechbläsern, leichte Motive und eine volle harmonische Struktur machen dieses Werk zu einem Volltreffer. Das Hauptsolo wird von der Trompete gespielt, aber das Klavier h...

Six Irish classics are featured in this rewarding grade 3 medley. Starting with the slow Riddle Song, uptempo excerpts of Irish Washerwoman and O'Keefe's Slide follow. Next comes the familiar lullaby...

This flexible grade 3 collection contains five well-known classical and traditional pieces that can be played by any combination of 3 woodwind instruments.

Recorded in 1968 on the album Basie Straight Ahead this slow swinger defines the Basie style at this tempo. While not overly demanding technically, this chart will challenge even the best bands to pla...

Dieser Salsa hat ein Unisono Bläser-Thema à la Earth, Wind & Fire über dem Latin-Groove. Bob empfiehlt, mit den Bläsern und der Rhythmusgruppe zuerst separat zu proben.

These carefully crafted grade 3-4 jazz duets utilize easy-to-hear harmonies, commonly encountered jazz rhythms, and occasional metric changes. Interesting material is provided for both musicians, and...

Requiring no improvisation, these creative originals in a variety of jazz styles encourage players to focus on good ensemble blend, balance and phrasing. Paying careful attention to articulations and...

This second volume offers a wide variety of engaging musical styles to stimulate and challenge the grade 2-4 clarinet quartet. Books are sold separately, or together in a set. The full score book incl...

Featuring four movements in contrasting styles -- moderate swing, ballad, funk/rock, and bright swing -- each member of the group shares in the melodic presentations and has a chance to serve as soloi...

A master of melodic expression, this hauntingly beautiful theme from Peter Ilyich Tschaikowsky's String Quartet No. 1 (Op. 11) is based on a Ukrainian folksong and is one of his most familiar works. P...

The quintessential recording of this chart was captured on the 1968 album called Basie Straight Ahead. Unlike many of Sammy's charts for Basie, this one starts with the Saxes and rhythm section instea...

Die vereinfachte Fassung von Basies Swingklassiker beginnt mit einem 12-taktigen Klaviersolo unterstützt von Gitarre, Bass und Schlagzeug. Es folgen die Saxophone und danach die Blechbläser.

Dieser Swing wurde 1968 für das Album Basie-Straight Ahead aufgenommen. Solo für Klavier. Die Stimmen der Rhythmusgruppe sind nicht vollständig notiert (z.T. nur Akkorde).

Recordedby the Bob Mintzer Big Band on the album Incredible Journey, thislaidback Basieexcursionstarts with a 32-bar (expandable) piano solobacked by bass and drums before theensemble joins in.Trumpet...

These two movements from Vivaldi's Spring are must have additions to the library of any performing flute quartet. The energy of the Allegro movement, teamed with the lyric, flowing character of the Pa...

This arrangement of Scott Joplin's most famous ragtime hit will be a welcome highlight on any program. Perfect as an encore number, it will be as fun to listen to for the audience as it is to perform.

Originally written for and played by Bud Shank, this showpiece for alto sax features a wide dynamic range and calls for a soft, smooth approach to background figures. Though written solo lines are pro...

A solid, infectious 3/4 funk groove is coupled with a modern chord progression to give this driving chart plenty of audience appeal. Written or ad lib solos are offered for tenor sax and trumpet, but...