Mittelschwere Noten von Ludwig Music Publishing Company

New Era wurde für die United States Air Force Academy Band (Colorado Springs, CO) komponiert und bezieht sich auf die Mischung aus Software, Hardware, Technologie und Tradition im heutigen Leben - die...

Perfect for use as a concert opener, this spirited music grabs the listener from the very first note. It continues to hold the audience breathless, proceeding at a crisp pace before closing with a lig...

Die Ouvertüre zu The Charlatan, eines der vielen meisterhaften, aber wenig bekannten Werke von John Philip Sousa, ist ein Beispiel für den Komponisten auf seinem melodischen Höhepunkt. Dieses Arrangem...

Perfect for use as a concert opener, this spirited music grabs the listener from the very first note. It continues to hold the audience breathless, proceeding at a crisp pace before closing with a lig...

A terrific and valuable collection of exercises for advanced flutists.

A setting of a folk song collected in 1905, this is his definitive version for chamber winds with piano. There is a set of brief variations on the melody, one for solo piano which will make a wonderfu...

Dance, Ballerina, Dance wurde von Nat King Cole geschrieben und sowohl von ihm als auch von Frank Sinatra aufgenommen. Ira Hearshen hat den dritten Satz seiner Aragon-Suite im Stil dieser beliebten Me...

All jazzed up and a concert to play! That's the way your orchestra will feel, with the jazz rhythm section and saxophones leading the way. Swing hard!

All jazzed up and a concert to play! That's the way your orchestra will feel, with the jazz rhythm section and saxophones leading the way. Swing hard!

A three movement work for solo violin, string orchestra, and optional rhythm sections. This first movement in 6/4 alternates between swing 8ths and straight 8ths. The second movement is a jazz ballad...

A stirring anthem of praise based on Ephesians 2: 14-21 by one of the country's most respected arranger/composer.

Inspired by Psalm 47, "O Clap Your Hands," A Psalm of Celebration by Paul W. Whear is an energetic piece that loosely follows the structure of the written verse in its musical form. The opening statem...

Vivaldi originally wrote his C major concerto, RV433, for a sopranino recorder around the years 1728 and 1729. It has three movements titled: 1. Allegro 2. Largo 3. Allegro molto

Vivaldi originally wrote his C major concerto, RV433, for a sopranino recorder around the years 1728 and 1729. It has three movements titled: 1. Allegro 2. Largo 3. Allegro molto

The "Guaracha" is the Third Movement from Mr. Gould's fourth Symphonette, LATIN AMERICAN SYMPHONETTE, which is in four movements - Rhumba, Tango, Guaracha, and Conga. The "Guaracha," relatively speaki...

The solo composition OLIVER'S BIRTHDAY from award-winning composer Bruce Broughton has become a sought-after work by today's trumpet players. With a naive, relatable melody that spins off into a flurr...

John Cheetham's "Fanfare and Steeplechase" is a college level symphonic band work that opens with an extended fanfare section, leading to the main body - a whirlwind evocation of the steeplechase!

John Cheetham's "Fanfare and Steeplechase" is a college level symphonic band work that opens with an extended fanfare section, leading to the main body - a whirlwind evocation of the steeplechase!

John Cheetham's "Fanfare and Steeplechase" is a college level symphonic band work that opens with an extended fanfare section, leading to the main body - a whirlwind evocation of the steeplechase!

A superb upper level showpiece for horn or euphonium. Transcribed and orchestrated by Donald Miller. Band M; Horn MA.

A superb upper level showpiece for horn or euphonium. Transcribed and orchestrated by Donald Miller. Band M; Horn MA.

Der bekannteste der sechs Märsche Elgars, der Marsch Nr. 1 in D, wurde im Juli 1901 fertiggestellt. Seine zentrale Melodie stammt aus der Zeit davor, und wie Elgar zu einem Freund sagte: "Ich habe ein...

Von allen vier Märschen, die auf den überwältigenden Erfolg des Marsches Nr. 1 folgten, scheint der Marsch Nr. 4 in seiner allgemeinen Wirkung dem ersten am ähnlichsten zu sein. Warum das so ist, läss...

Based on the Lutheran hymn Nu komm, der Heiden Heiland, this work is a transcription of the second movement of the composer's String Sextet. The hymn tune acts as a cantus firmus most of the time as t...

Based on the Lutheran hymn Nu komm, der Heiden Heiland, this work is a transcription of the second movement of the composer's String Sextet. The hymn tune acts as a cantus firmus most of the time as t...