Mittelschwere Noten von Oxford University Press

A Prayer of St Columba is an expressive and emotive anthem with appealing, arching melodies underpinned by a sparkling organ part. Also available in a version for SAB and organ or piano in The Oxford...

Dies ist eine lyrische und klangvolle Vertonung der lateinischen Messe, die anlässlich des 900-jährigen Bestehens der Prioratskirche St. Bartholomäus der Große komponiert wurde. Das Werk für SATB, Org...

Transcriptions for pianoforte from the works of J. S. Bach - Reissue of an iconic OUP publication from 1932 - Twelve Bach transcriptions prepred for the acclaimed English pianist Harriet Cohen - Cont...

Dieses Stück wurde für den California Junior High All-State Honor Choir geschrieben und enthält einen motivierenden Text des Komponisten, in dem es darum geht, neue Chancen zu ergreifen und die Sänger...

Voice & piano/guitar This volume contains newly edited versions of all Walton's songs for voice and piano, together with Anon in Love for voice and guitar and songs from radio plays. It also includes...

Setting a text by Charles Bennett, 'The White Field' presents a dreamlike scene in which blackbirds plant songs in the cold earth and await the growth of their music. Chilcott's melodies echo through...

Dreisätziges Werk, mit einem Sopransolo im zweiten Satz Erforscht Themen wie Trauer, Verlust und Hoffnung auf eine bessere Zukunft Texte von Sarojini Naidu und Seán Street Keyboardauszug in der Gesan...

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons. With...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

Cecilia, Busy Like a Bee is a reflective setting of a text adapted from the Divine Office for St Cecilia's Day. The influence of plainchant is particularly apparent in the soprano solo, and McDowall i...

This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on...

Chilcott's arrangement of 'Viens par le pre', a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love, is tender and expressive, with rich, warm harmonies. 'Vi...

Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 Thessalonians, and 1 John. It moves from an unse...

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated 17th-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and the ori...

Victimae paschali laudes is an atmospheric arrangement of the traditional plainsong melody for this Latin text for Easter Sunday. Changing metres enable an authentic presentation of the plainsong styl...

Lightly come or lightly go is a playful setting of James Joyce's poem of the same name for SATB double choir. The second choir carries the titular words as an arching ostinato, while choir one present...

This lavish arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a...

Written to commemorate the centenary of the foundation of the International Federation of the Red Cross and Red Crescent Societies, Brightest Star sets a powerful text by Seán Street. The poem describ...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons. With...

This setting of Edward Caswall's well-known text shows all the hallmarks of McGlade's characteristic style, with changing time signatures, beguiling chromaticisms, and a beautiful, fluid melody. Chang...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...

In this sensitive choral arrangement of 'Nimrod' from Elgar's Enigma Variations, Michael Higgins sets the Eucharistic hymn 'O salutaris Hostia', written by St Thomas Aquinas for the Feast of Corpus Ch...

This is an innovative, striking setting of the Magnificat text that is well suited to both liturgical and concert performance. The work celebrates the strength, character, and intelligence of teenage...