Mittelschwere Noten von Walrus Music Publishing

This is a solo Flugelhorn 3/4 ballad nicely reharmonized with lush chords and backgrounds. A bit on the bluesy side!. Recorded by the Kubis Big Band on Jazz Musicians Christmas on Sea Breeze Jazz.

This is a high note first trumpet feature. A very thrilling and exciting vehicle for the lead trumpet-High parts may be played down an octave. Recorded by the Kubis Big Band on Jazz Musicians Christma...

Hold on to your elfs! An up tempo jazz waltz featuring the tenor sax or soprano sax. Recorded by the Kubis Big Band on Jazz Musicians Christmas on Sea Breeze Jazz.

This is yet another Samba full of the Christmas spirit. Recorded by the Kubis Big Band on Jazz Musicians Christmas on Sea Breeze Jazz.

You can't play a New Year's gig without it. And this version swings with a little room to stretch and a great out-chorus. Lead trpt to written D above staff with optional high G.

Bass trombone feature on this old Christmas standard. This is a medium swing version featuring the bass bone all the way through the chart. Lead trumpet to high E. As recorded by the Tom Kubis Big Ban...

This Christmas classic has been written in 4/4 for acapella horns (rhythm section is tacit). It's only 1 chorus long (25 measures) and sets a lovely, gentle mood on a holiday jazz program. No improvis...

3/4 version of the cliassic featuring the trombone. This is a different, textural, stylish version. Solos: Trombone. Key Eb major. Trumpet 1 highest note G just above the staff. Alto 1 on soprano and...

Up tempo 3/4 version of the great classic. Trumpet over saxophone s on the head. Fetures tenor sax on soprano. Key F major. Trumpet highest note high E. 5,4,5,P,B,D. Medium.

Beginning with a moderate waltz chorale, this wonderful old tune finds its groove as a bossa nova alternating with a jazz waltz. The C minor changes for solo trombone is in the relaxed bossa style. Th...

This medium level jazz influenced arrangement begins with a moderate waltz chorale that flows gently to a jazz waltz and then a moderate tempo bossa nova. Moderate ranges prevail with 1st Trpt. to con...

This is the tune an early theory teacher of mine used as an example of a minor key melody that doesn't evoke sadness or melancholy. That may or may not be true. The quintet begins with a dark poignant...

This lovely ballad is the third movement of Foster's Count Basie Remembrance Suite. The lead Trombone is featured in an entirely written solo, except for a short improv cadenza on the ending. Also fea...

The National Anthem featuring Soprano sax as recorded by the Tom Kubis Big Band. Easy medium for the band.

The Quiet Corner sets a gentle but slightly funky groove full of soft colors and smooth textures, courtesy of muted brass, flugelhorns, and the flutes. The chord changes are lush and rich and fun to b...

AATB, improv in alto 2. Hard-Bop's tribute to reggae. This simple D minor tune has a great feel and is refreshing. It always receives favorable comments from audiences, perhaps because of the straight...

AATB, opt. improv in the 2 altos and tenor. Translated as OThe Last Tune,O. Latin groove with vamp in the beginning for introduction of players, and a vamp in the middle for a Owalk-out-in-the-audienc...

2 flutes, tenor (doubles on clarinet), bass clarinet, improv in tenor (feature). Feature ballad for tenor saxophone. Designed to be played by a saxophone quartet that doubles. Patterned after a Baroqu...

SATB. QUARTETS. Score and parts.

Med up swing. Saxophone Quartet features contrapuntal bebop writing, using two simultaneous, soloistic melodies with accompaniment from another saxophone. Combination of three saxes playing at any one...

Short tour de force for Soprano, Alto, Tenor, & Baritone Sax's. 4/4 andante into 3/4 Moderato into 6/8 into 12/8 into Swing.S,A,T,B. Medium.

AATB, solos in alto 1 and tenor. The groove is straight, based on a hip-hop beat concept. In rondo form with an ethereal melody over an open fifth modal sound leading into bebop 16ths and modern harmo...

SATB quartet with rhythm section. Quartet not designed to stand alone (harmonies take advantage of roots in the double bass). Alto feature with homophonic and contrapuntal support from the quartet enr...

SATB. The 'FOUR' in the title is a tribute to the quartet it was written for, FOUR. Of course 'FOURway' suggests an equal meeting; the 'Stop' is a cluster that appears periodically. The a cappella ver...

A beautiful alto ballad starting with a slow 32 bar song form and building to a double time tenor solo and sax soli. It winds down with a return to the bridge in a double time feel and the opening eig...