Mittelschwere Originalwerke Noten

Im Auftrag der Highlands Ranch Concert Band (Colorado, USA) komponiert und dem Andenken ihrer Klarinettistin Michelle Marie Walker gewidmet, vereint Let’s Celebrate Life Vitalität, Wärme und Emotion....

Im Auftrag der Highlands Ranch Concert Band (Colorado, USA) komponiert und dem Andenken ihrer Klarinettistin Michelle Marie Walker gewidmet, vereint Let’s Celebrate Life Vitalität, Wärme und Emotion....

Here is a great blend of swing and Latin, done in the inimitable style of Oliver Nelson. It was recorded on the Flying Dutchman label in 1969. This wonderful chart features alto saxophone. 5-4-4-3.

Das Originalarrangement des Hamburger Roy Frank Orchestras zeigt den Klassiker 'Harlem Nocturne' in einem völlig neuen Gewand. Der Wechsel zwischen Swing- und Latin-Abschnitten im Beguine-Rhythmus mac...

Trombone (Bass Clef).

Ella Fitzgerald und ihre wunderbare Version des Klassikers 'A Fine Romance' von Jerome Kern aus dem Broadway-Musical 'Swing Time' (1936) mit Fred Astaire und Ginger Rodgers. In der Adaption von Jon Ha...

Originally issued in 1974, this chart penned for the Count Basie band has everything you'd expect from a Nestico classic -- solos for piano and tenor, sax and brass solis, a solid ensemble shout, and...

A Robbie Williams Big Band Chart by Duke Ellington & Bob Russell, arranged by Shaun Byrne. Moderate Swing. Key G.

'The More I See You' ist ein großartiger Swing-Titel aus Michael Bubles Album 'Caught In The Act'. Dem im Original nur vom Bass begleiteten ersten Chorus fügte Cy Payne in seinem Arrangement noch Klav...

The great Strayhorn tune set in a wonderfully playable chart with Holman's unique, clever approach. There are no unreasonable ranges in this piece, and there is solo space for alto, tenor and trombone...

As recorded by the Bill Holman Band on In A Jazz Orbit, here is his chart on the wonderful Gershwin melody. It is set at a bright, swinging tempo, and it contains solo space for tenor sax, trumpet, tr...

This is another of the many wonderful charts arranged by Lennie for the Stan Kenton Orchestra. He is able to capture the Kenton sound without a lot of high-range problems or difficult concerns for the...

The flutes state the melody in this pretty bossa nova, which demands your best soloist to elegantly negotiate it's appealing chord changes. Sax doubles. As recorded by the Gordon Goodwin Big Phat on '...

Here it is exactly how Count Basie and his orchestra played it! Every detail of this jazz standard has been transcribed and reconstructed by Jeff Hest. What better way to learn about the Basie style t...

It had to be you' ist eine wunderschöne Swingballade aus den 1920er Jahren, die Barbra Streisand bereits 1963 auf Ihrem ' Third Album' veröffentlichte und 2014 für 'Partners' erneut zusammen mit Micha...

As recorded by the Oliver Nelson Orchestra on their album Berlin Dialogue for Orchestra, 'Checkpoint Charlie' is some of Nelson's most creative writing. Full of uptempo energy, Nelson masterfully inte...

A happy, cookin, shuffle tune in the best Holman tradition! Very reasonable ranges and figures which just swing like crazy! Solo space for alto and baritone saxes and drums. This could be the hit of H...

As originally recorded by Count Basie on the Roulette LP (Vogue CD) 'Kansas City Suite - the Music of Benny Carter,' this is a medium-up Swing chart that everyone will love to play. The saxophones get...

As originally recorded by Count Basie on the Roulette LP (Vogue CD) 'Kansas City Suite - the Music of Benny Carter', this is a medium tempo Swing chart featuring solos for tenor saxophone, trumpet and...

This piece was taken from Nelson's original score. This chart is exactly as recorded on the Verve Jazz Masters 48 CD. There aren't many charts in this category ..... classic, one-of-a-kind, trend-sett...

This piece was taken from Nelson's original score. Exactly as recorded on the Verve Jazz Masters 48 CD. This is a clever, highly original rendition of the traditional melody. It was written to feature...

Holman wrote this to feature Bill Perkins in the mid '50's. It is a tenor saxophone feature throughout and a wonderful chart. Lots of blowing space and the usual swinging ensemble sections for which H...