Mittelschwere Pfingsten-Noten

Kantate zum 2. Pfingsttag. Soli SB, Coro SATB, 2 Ob, Taille (Eh), Zk (Tr), 3 Trb, 2 Vl, Va, (Vc pic), Org

Kantate zum 2. Pfingsttag. Soli SB, Coro SATB, 2 Ob, Taille (Eh), Zk (Tr), 3 Trb, 2 Vl, Va, (Vc pic), Org

Kantate zum 1. Pfingsttag - nach der 2. Fassung von Bach. Soli SATB, Coro SATB, 3 Tr, Timp, 2 Ob, Obca, Vl solo, Str, Org - Tonart C-Dur / a-Moll

Kantate zum 1. Pfingsttag - Soli SATB, Coro SATB, Ob, Fg, 2 Vl, Va, 3 Tr, Timp, Bc

Kantate zum 3. Pfingsttag. Soli SAT, Coro SATB, 2 Fl, Str, Org - Tonart G-Dur / e-Moll

Kantate zum 3. Pfingsttag. Soli SAT, Coro SATB, 2 Fl, Str, Org - Tonart G-Dur / e-Moll

Kantate zum 2. Pfingsttag. Soli SATB, Coro SATB, 2 Fl (2 Blfl f1), 2 Vl, Va, Bc

Kantate zum 2. Pfingsttag. Soli SATB, Coro SATB, 2 Fl (2 Blfl f1), 2 Vl, Va, Bc

Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...

Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...

Choräle aus Kantaten, aus der Sammlung Choralgesänge und der Motette Jesu, meine Freude BWV 227. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Blockflöte-T - Spielpartitur

Looking for a contemporary a cappella motet? These lush harmonies beautifully complement this work for Pentecost, general use, or concert use.

A setting of the most famous passage from the Book of Ruth (Ruth 1:16-17) opens with a gentle polyphonic section for the chorus. The soprano joins the choir for the twice-repeated middle section of th...

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...

The mystery of eternity is explored in this profound Herb Frombach text, as David Lantz wisely chooses a musical syntax that harkens back to chant. This cloistered approach creates an awe-inspiring ef...

Uses: General, Pentecost, Trinity Sunday Scripture: I Samuel 2:2; Psalm 99; Isaiah 6:3 The subject of God's faithfulness and worthiness is surrounded by emotive music, rich with harmonic color and mel...

Uses: General, Pentecost, Trinity Sunday Scripture: I Samuel 2:2; Psalm 99; Isaiah 6:3 The subject of God's faithfulness and worthiness is surrounded by emotive music, rich with harmonic color and mel...

A choice piece for Pentecost

For Pentecost season, this reverent work can be performed with a flute or any other 'C' instrument

A marvelous combination of two hymns, this anthem would be successful for Ascension, Pentecost, or general use.

A fabulous anthem for Pentecost

Pepper Choplin is a name well known to church musicians. This anthem, based on Matthew 16:13-18, is scored for mixed chorus with piano or with brass, handbells, and optional congregation. Try this ene...

You have heard this tune and text many times. Here, Dan Forrest creates a fresh work evoking our 19th century American hymn tradition. This would be a terrific festival piece or use it for Pentecost w...

You have heard this tune and text many times. Here, Dan Forrest creates a fresh work evoking our 19th century American hymn tradition. This would be a terrific festival piece or use it for Pentecost w...

Mark Hayes has produced a real winner with this piece. It's great for music ministry Sunday, Trinity Sunday, Pentecost, or even general use. This energetic anthem is scored for mixed voices with eithe...