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Mack Wilberg has arranged the well-loved Irish folk melody Londonderry Air, setting to it the words of Howard A. Walter's poem 'I would be true'. Alternative words to the second and third verses by Da...

Setting an evocative text by Louise Imogen Guiney, this reflective carol will be a particularly useful addition to the repertory of cathedral choirs. The oft-changing metres complement the poetic metr...

Forever Child is a suite of seven pieces on the theme of childhood. The work forms an excellent concert suite, or any of its movements may be extracted for separate performance.

A haunting depiction of the 'magic made by melody . . . Held in the arms of rhythm and of sleep', from a poem by Elizabeth Bishop. Instrumental parts for the original version (SATB and strings) are av...

This delightful work brings together arrangements of four folksongs: 'Green Bushes', 'The Rambling Sailor', 'The Crystal Spring', and 'O, No John!'. A Fancy of Folksongs can be accompanied by piano or...

This gentle setting of a prayer by Alcuin of York has an appealing melody and warm harmonies. After opening with a verse for sopranos only, Archer varies the vocal texture for each successive verse, c...

Presented here in an arrangement for SABar voices, this setting of words by Chief Dan George optimistically reminds us that there is still beauty to be found in times of trouble and that difficult day...

This upbeat work sets a text by the Malaysian singer Bihzhu celebrating the collective excitement in exploring the unknown. The supportive piano accompaniment brings a hint of the Malaysian soundworld...

In this beautiful setting of words by the composer, based on a quote by Brian Palmer, singers are encouraged to listen to the sounds and people around them in order to learn and grow: 'one act of love...

Andrew Steffen's setting of Christina Rosetti's poem Echo is both contemplative, yet passionate. With lyricism at its heart, this piece moves between unison, canon, and homophonic harmony, guiding the...

A Far Country sets a poem by American writer, educator, and community leader Leslie Pinckney Hill. A solo alto line, accompanied by a cushion of choral harmonies and a reflective piano accompaniment,...

Afternoon on a Hill sets a poem by American poet Edna St Vincent Millay, which conveys a sense of wonder, appreciation, and respect for the natural world, and the contentment of the subject to return...

This inspiring piece sets the text 'Lift every voice and sing' by writer and civil rights activist James Weldon Johnson. The rising opening vocal figures develop in strength until a central section in...

Reconciliation is a dramatic setting of a profound text by Irish poet William Butler Yeats. Underpinning the voices is a dazzling piano accompaniment featuring glittering spread chords, cross-rhythms,...

The Pasture is a setting of a poem by Robert Frost. The fresh imagery of the pasture, the clear water, and the leaves is painted with devices borrowed from folk music: dotted rhythms and grace notes i...

R. Nathaniel Dett's arrangement of this Negro spiritual has been adapted by Marques L. A. Garrett, and can be performed by SA, SAT, or SATB from this score. Expressive soprano-only lines, which may op...

This is a catchy, joyful song about singing, togetherness, and social and musical harmony. With words and music by Robert T. Gibson, this feel-good piece incorporates Gospel-style harmonies, syncopate...

This upbeat, energetic setting of a poem by Samuel Ullman explores the themes of human connectivity and creativity. The piece exudes positivity and optimism, with soaring melodies, textural contrasts,...

When I rise up sets a text by Georgia Douglas Johnson describing themes of strength and self-belief. The fervency of the music initially grows through unsettling and insistent rising triplet figures....

Hashkiveinu is a traditional Hebrew prayer said at night that asks for protection while sleeping and to be woken in the morning. Burrows's setting is solemn and meditative, with the clarity of the tex...

'Empress of Night' is the last in a set of three songs by late nineteenth-century American composer Amy Beach, here arranged flexibly for either accompanied S, SA, SAB, or SATB by Brandon Williams. Th...

Harry T. Burleigh's arrangement of this Negro spiritual has been adapted by Marques L. A. Garrett, making the powerful choral texture approachable by any choir. The slow, emotive movement of the piece...