Noten für Bratsche solo

Gerald Anderson. An excellent complete systematic approach to technical development for students of about one year's experience through to more advanced levels. For use by full string orchestra, strin...

A collection of some of the most popular tunes of all-time arranged for easy level Viola with Piano accompaniment, by James 'Red' McLeod.

Arranged for Intermediate level Viola with Piano accompaniment, by James 'Red' McLeod.

Viola with Piano accompaniment. Arranged by James 'Red' McLeod.

String Power features short exercises that help solve many of the technical problems confronting intermediate players. The technical exercises focus on strengthening the left hand using the neglected...

String Rhythms is ideal for heterogenous string classes and individual study. Each page is devoted to a different rhythmic concept. Word assosciation is again a vital part of the rhythm instruction!

Figura by Niels Rosing-Schow, for Viola and Piano (1985).

This is the original version of The Lady Of Shalott for Viola solo by Bent Sørensen from 1987.

Concerto For Viola And Orchestra by the Danish composer Poul Ruders. For Viola with Piano reduction. This 28 minute piece was written for Yuri Bashmet, commissioned by Léonie Sonnings Music Foundation...

Helmut Bechtel geboren in Düsseldorf, 2.September 1929 Studium: Rechtswissenschaft (Köln, Bonn, Freiburg) anschliessend Musikwissenschaft und Völkerkunde (Köln) Besuch der Meisterklassen Flöte, Blockf...

Heinrich XXIV j. L. Prinz Reuss wurde am 8. 12. 1855 in Trebschen/Mark Brandenburg geboren. Er stand bereits in frühester Jugend unter dem Eindruck der künstlerischen Atmosphäre seines Elternhauses un...

Transcription: Jacques Borsarello

The title Les Lettres enlaces (Intertwined Letters) refers to a style of writing based on two melody lines that overlap, pile up, cross over and finally return to a more or less parallel position. The...

The original aim was to compose two chaconnes, or rather a double chaconne, one as a variation of extremely directive discursive material, and the other as a circular development of clearly defined fi...

I did not write Little Italy 'for' the viola, but 'against' it! The main issue here is the creation of dense polyphony for an instrument that is generally treated melodically. The illusion of a double...