Noten für Chor a cappella

This work was adapted by Charles Gounod from J. S. Bach's 'Prelude No. 1 in C Major' from 'The Well-Tempered Clavier' written in 1859, and it has been a favorite of singers and audiences since then. I...

Taken from Mass No. 6, this advanced work for treble chorus and piano is typical of Orban's energetic rhythmic drive, it is a great piece for concert work!

The creative genius of Mark Hayes makes this work now available for smaller choirs with a two-part mixed setting of this favorite. Also available for SAB (HMC1893) or SATB (HMC1576) voicing

Originally set for SATB voices (HMC1696), Jim Williams now makes the piece available in a lovely two-part mixed voicing, suitable for stewardship Sunday.

Lucy Hirt sets the delightful French carol Il Est Ne for two-part treble voices (children or adults) with piano or handbells or optional orff instruments. The handbell part is included at the back of...

Originally scored for mixed voices (HMC1627), this arrangement for treble voices with piano sets the lovely Kirkpatrick Cradle Song tune to counter melodies found in both the second voice and the pian...

This first work in the choral series, accent on young voices (edited by Maribeth Yoder-White), is set for three-part mixed voices with piano and provides young singers an opportunity to successfully p...

For 2-part treble voices with piano, this is the perfect piece for Earth day celebrations or anytime you wish to acknowledge the beauty of nature, suitable for all ages.

This piece for unison/two-part treble voices with piano and optional percussion is all about fun! Two pieces in this arrangement: Wabash Cannonball & This Train Is Bound For Glory Percussion part incl...

For 2-part treble choir with piano and optional C instrument, Valerie Crescenz sets this gentle folksong for treble voices of all ages.

This baptismal anthem based on a text by Charles Wesley is written for two-part voices, also effective for Communion

Natalie Sleeth has always been acknowledged as a composer with a special gift for the simple melody. Here, David Giardiniere arranges this tune for two-part treble voices with keyboard and optional ha...

An all time favorite, this piece can be done by quite small children or by adults. Everyone loves it! It may be done unison or as a two-part canon, or with the canon done on any C instrument, or even...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...

The team of Green and Crescenz gives us another thought-provoking work. Scored for two-part treble voices, the text and complementary music affirm, 'We can help them find the ways to make the world a...

Editor Maribeth Yoder-White indicates in her notes that this work is 'an accessible, exciting selection that works well with a variety of ensembles, including festival and massed choirs. ' The text is...

This is such a clever piece for treble voices. Set to a traditional French tune, Valerie Crescenz creates a witty and comical work great for a spring concert.

Three students in elementary music classes wrote these three questions (although the composer indicates that the work adapts well for middle school or older treble choirs). Don't miss out on: When We...

Looking for an easy piece with handbells? This is it!This anthem has so many possibilities with its two-part with keyboard and a very simplehandbell part. Be creative!

Set for two-part treble chorus with keyboard or instrumental ensemble, the Mazzoni Credo is a lively setting of the Nicene Creed. The four short movements are easily sung by young or more mature voice...

For two-part treble chorus with piano and optional flute, this is an easy piece set to a lovely Christina Rossetti text, easily adaptable for many settings.

Maribeth Yoder-White's series (Accent On Young Voices) brings us another work with practical performing suggestions included. We welcome Earlene Rentz to the Hinshaw catalogue.

A Christmas lullaby foretelling what is to come for the Christ child. In the lovely words of Gary Vitale, 'His head is weary, His eyes are tearing, and I can see a sadness coming: let my baby rest...k...

An easy two-part piece for children, with keyboard accompaniment that is secular, but contains a message that makes it appropriate for a church setting. From the Accent On Youth Series

For those of you who are middle school teachers this setting of the traditional American folksong is for you. Valerie gives us a three-part mixed voicing accompanied by piano. Try it during American m...