Noten für Gemischter Chor (SATB)

Uses Latin and English (Rite A) texts.

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

Sally Albrecht has adeptly set a 'Kyrie eleison' text to Handel's classic 'Sarabande' melody. You'll recognize the melody as soon as you hear it, and your immediate reaction will be, 'Why hasn't someo...

An achievable thriller on a familiar Latin text! Jay Althouse's compelling mixed meter theme develops into a shimmering array of contemporary harmonies in this exciting, angular work. A reflective ada...

Komponiert im Jahr 2011 für Katherine Dienes-Williams und den Chor der Guildford Cathedral, umfasst Guildford Mass die üblichen Texte der lateinischen Messe (Kyrie, Gloria, Sanctus, Benedictus and Agn...

Der Psalm 150 von 1884 ist eine Komposition aus der schöpferischen Reifezeit César Francks. Auf engem Raum treten die charakteristischen Merkmale seines Stils in Erscheinung: die betont symphonische S...

includes 20 parts of Chorus.

Das hier vorgelegte Miserere findet sich unter der Katalognummer IMM 32 in der Österreichischen Nationalbibliothek Wien. Der Text des Titelblattes lautet: Miserere / a 4 Voci concert- / con / organo,...

William Lloyd Webber's Sing, O Heavens is an anthem for SAB chorus with Organ Accompaniment.

An anthem suitable for Easter with words by Edmund Spenser (1552-1599). Musical Times series number 1391.

For SATB and piano. This gentle setting has all the tranquillity and grace associated with this ancient text. It is fashioned from a simple rocking theme, which weaves serenely through different keys...

Für gemischten Chor (SATB) und Orgel (oder Orgel, Harfe und Violoncello. Orgelauszug.

The mystery of eternity is explored in this profound Herb Frombach text, as David Lantz wisely chooses a musical syntax that harkens back to chant. This cloistered approach creates an awe-inspiring ef...

This is a fantastic festival piece. The antiphonal nature of the piece begs for creative use of the performance space. The Latin words taken from the Psalms are joyful and general, the parts are easil...

This is a fantastic festival piece. The antiphonal nature of the piece begs for creative use of the performance space. The Latin words taken from the Psalms are joyful and general, the parts are easil...

J. S. Bach penned SDG at the end of most of his compositions, which is Latin for to God be the glory. This energetic number can serve as a church anthem of praise or a concert number for high school,...

J. S. Bach penned SDG at the end of most of his compositions, which is Latin for to God be the glory. This energetic number can serve as a church anthem of praise or a concert number for high school,...

The beautiful words of Jeremiah promising us that God has plans for us has been treated graciously by Kevin Memley. Famous for his lovely melodies and satisfying developments, Kevin provides an anthem...

The beautiful words of Jeremiah promising us that God has plans for us has been treated graciously by Kevin Memley. Famous for his lovely melodies and satisfying developments, Kevin provides an anthem...

Daily Prayer ist die erste von Five Easy Hymn Anthems on Original Texts and Tunes, einer Sammlung, die als etwas verspätete Reaktion auf den 11. September 2001 entstand. Das Stück für SATB-Chor und Ke...

Lord, You've Been Our Dwelling Place ist die zweite von Five Easy Hymn Anthems on Original Texts and Tunes, einer Sammlung, die als etwas verspätete Reaktion auf den 11. September 2001 entstand. Der T...

Dieses Werk für SATB-Chor, SATB-Solisten und Keyboard (optionales Orchester: 2 Flöten, 2 Klarinetten, 2 Hörner, 2 Fagotte, Streicher) ist für Schul- und Hochschulchöre zugänglich und erfreulich. Als A...