Noten für Gemischter Chor (SATB)

Premiered at the National ACDA Conference in Kansas City by Carrie Tennant and the Vancouver Youth Choir in 2019. This piece combines the different aesthetics of drought politics, dance hall dub and y...

From NBC's The Sing-Off this soulful vocals only setting of the Lennon & McCartney classic in a style reminiscent of Joe Cocker's famous rendition offers a powerful, uplifting message to today's choir...

24 Sätze für gemischten -, 12 Sätze für Frauen- und 12 Sätze für Männerchor - Singpartitur; Sammelband

Textbuch mit Chorälen

Great jazz singers from Ella Fitzgerald and Frank Sinatra to Rosemary Clooney and Mel Tormé have covered this popular swing number from the '40s. Great for show/jazz groups as well as concert choirs.

Lord, I Lift Your Name on High' by Rick Founds continues to hold its position at the top of the CCLI charge. Arranger, Douglas Wagner, has provided a skillful setting for SATB choir with a dynamic and...

Superbly arranged SATB concert suite of the best-known numbers from this hit musical. Comprises: The Heat Is On An American Dream Bui-Doi The Last Night Of The World If You Want To Die In Bed

Novello Voices Show Singles, (From Les Miserables.), Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

24 leicht singbare Chorlieder und Kanons für gemischte Stimmen Helbling Choral Collections Zur Serie: Die neue Reihe HELBLING CHORAL COLLECTIONS bietet thematisch-konzipierte Repertoire-Sammlungen mit...

Turn up the heat with this dynamic pairing of Gloria Estefan's biggest hits, ''Conga'' and ''Rhythm is Gonna Get You.'' A sizzling audience pleaser with tremendous choreography potential!

Written for SATB choir. Maybe we have time was commissioned by Conspirare and Craig Hella Johnson for their September 2007 concert series in Texas. It sets a poem of the same name by Chilean poet Pabl...

Conny Froboess

Voices of Power and Protest was first performed on March 26th 2007 by The New York Virtuoso Singers, conducted by Harold Rosenbaum, at the Hall of the New York Society of Ethical Culture, New York.