Noten für Gemischter Chor (SATB)

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

Commissioned by the choir of Merton College, Oxford, In the beginning was the Word provides a welcome musical setting of this iconic biblical text. Suitable for use throughout the church year. 32 page...

The four motets in this set are adapted from Bob Chilcott's large-scale choral work, Salisbury Vespers, which was premiered in Salisbury Cathedral in May 2009. The motets can be performed as a set or...

This Magnificat and Nunc Dimittis setting was written for the choirs of two churches in Brighton. It was conceived to be performed by amateur choirs, and achieves this level of accessibility whilst st...

This impressive anthem is the second of two in which Michael Berkeley sets texts by Rowan Williams. First the sun, then the shadow uses words from his poem Emmaus, written in 2008. It was commissioned...

Dieser optimistische Chorsatz im erhebenden Kompositionsstil von John Rutter ist Teil des fünfsätzigen Chorwerkes 'The Gift of Life' ('Das Geschenk des Lebens') mit Texten, die die Dankbarkeit des Kom...

This arrangement features Robert Bridges' translation of J. Neander's 17th-century German text set to Herbert Howells' hymn tune 'Michael'. John Rutter adds a descant and reharmonizes the 4th and 5th...

Instrumental parts available on hire

This is a lilting arrangement of a traditional Mexican lullaby, based on the well-known Sandman myth. It was originally published for SAB voices in SongStream 2: An American Journey and may be sung in...

This poignant motet 'based on a traditional Negro melody' from the composer's personal collection sets a well-known hymn by Henry Hart Milman. The unknown pentatonic melody is reminiscent of a spiritu...

A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written...

This piece is one of the finest compositions for viola by one of the instrument's greatest players. It is luxuriant in melodic inventions and startlingly beautiful in its instrumental colours. The pia...

A Light in the Stable tells the Christmas story through a blend of original settings and well-known carols, and is suitable for both concert and church choirs. This work is perfect for anyone looking...

Archer's setting of Timothy Dudley-Smith's A sound of singing fills the air is joyful and uplifting, with a charming melody and warm harmonies. Heralding the birth of Jesus with its jubilant 'gloria'...

This cheery carol was originally published in the collection Carols for Choirs 5. The important and uplifting message of Longfellow's text is reflected in Ledger's classic and perfectly balanced chora...

Opening with a simplicity and innocence created by the unison theme, this anthem's textures gradually evolve as the other voices make their entries.

A radiant original setting of familiar words, this carol displays Todd's characteristically emotive harmonic language. The arching melodies will soon become as instinctive as the traditional carol tun...

The shades of Finzi and Vaughan Williams are strongly present in this delightful madrigal for unaccompanied choir. Offprinted from Rutter's Three Shakespeare Songs, Sigh no more, ladies is a cheerfull...

The four motets in this set are adapted from Bob Chilcott's large-scale choral work, Salisbury Vespers, premiered in Salisbury Cathedral in May 2009. The motets can be performed as a set or individual...

Walk softly is an inspiring setting of an early Shaker text. It is woven from the simplest of musical elements and imbued with a quiet but incandescent fervour. With its combination of approachable ch...

This luscious arrangement opens with a wind and brass introduction. A flowing, gently rocking string background sets off the vocal line in the altos while the rest of the chorus sings 'oohs'. This mak...