Noten für Gemischter Chor (SATB)

From the usic Of Black Americans Series'This is a strong, expressive piece for worship or concert setting. Contains the Ave Maria in Latin and another prayer in English (not a translation).

Soon One Mornin' Death Comes Creepin' by Gail Kubik. Scored for SATB choir a cappella with Baritone solo.

Four Prayers from the High Holyday Liturgy. I. Hayom Harat Olam (11908) II. Ayl Melech Yoshayv (11909) III. Uv'shofar Gadol (11910) IV. Avinu Malkaynu Chanayno (11911) Hinay Yom Hadin (Behold TheDay...

Four Prayers from the High Holyday Liturgy. I. Hayom Harat Olam (11908) II. Ayl Melech Yoshayv (11909) III. Uv'shofar Gadol (11910) IV. Avinu Malkaynu Chanayno (11911) Hinay Yom Hadin (Behold TheDay...

With a special connection to the poetry of Langston Hughes, Kirke Mechem has written a new, a cappella spiritual. Opening with a musical statement by a soprano soloist, the soloist is featured through...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

Opening with the phrase How you wonder what you are, this poem, described by the composer as a sort of fable for adults, is set for mixed voices with soprano solo as a work of lyricism and reassurance...

Opening with the phrase How you wonder what you are, this poem, described by the composer as a sort of fable for adults, is set for mixed voices with soprano solo as a work of lyricism and reassurance...

This favorite Shaker song from the mid-1800s in an invigorating arrangement by Kevin Siegfried is a wonderful concert opener or sacred anthem with themes of love, peace and personal righteousness.

This favorite Shaker song from the mid-1800s in an invigorating arrangement by Kevin Siegfried is a wonderful concert opener or sacred anthem with themes of love, peace and personal righteousness.

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

Solo tenor and SATB (double choir optional) unaccompanied. This is a vivid musical depiction of the colourful dreamscape created in Charles Bennett's text. The solo tenor floats over the soft, jazzy h...

Ever-changing in mood and pace, La Musique is a setting of poems by Elizabeth Bishop and Charles Baudelaire on the transformative power of music. Jackson musically represents the complex psychological...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accomp...

Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accomp...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

This is an atmospheric setting of an anonymous fifteenth-century text. The exquisite tenor solo at the opening and the calm intensity of the middle section attest to Chilcott's gift for writing beauti...

This gentle and reflective piece sets the George Herbert text 'Blest be the God of love'. The poet's intense imagery is enhanced by expressive cross-rhythms and harmonies enriched by split alto and ba...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

An expressive Lenten motet reflecting the agony of the Mount of Olives; the tenor sings the words of Christ.

Offprinted from the collection "Sprituals for Choirs".