Noten für Gemischter Chor (SATB)

Ever-changing in mood and pace, La Musique is a setting of poems by Elizabeth Bishop and Charles Baudelaire on the transformative power of music. Jackson musically represents the complex psychological...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accomp...

Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accomp...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

This is an atmospheric setting of an anonymous fifteenth-century text. The exquisite tenor solo at the opening and the calm intensity of the middle section attest to Chilcott's gift for writing beauti...

This gentle and reflective piece sets the George Herbert text 'Blest be the God of love'. The poet's intense imagery is enhanced by expressive cross-rhythms and harmonies enriched by split alto and ba...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

An expressive Lenten motet reflecting the agony of the Mount of Olives; the tenor sings the words of Christ.

Offprinted from the collection "Sprituals for Choirs".

Javier Busto's Kuttun Kantak (Night Songs) is a set of three songs: a lullaby with characteristic cross-rhythms; a prayer in irregular metre; and a song of rejoicing. An English text by Bob Chilcott i...

This is an innovative, striking setting of the Magnificat text that is well suited to both liturgical and concert performance. The work celebrates the strength, character, and intelligence of teenage...

This motet is the fifth of a set of seven relating the life story of the Blessed Virgin Mary. Finnissy's aim was to hint at technical and expressive continuity with the music of the 11th and 12th cent...

This setting was commissioned by Choir and Organ magazine in 2003 and first performed by St Alban's Cathedral Choir under the direction of Andrew Lucas. Offprinted from the collection Cantica Nova.

Aiming for weightless flexibility of expression, this setting employs an idiom detectably in keeping with aspects of medieval practise. Offprinted from the collection Cantica Nova.

This motet features text painting throughout the piece, with the music opening outwards from a unison F to reflect a flower slowly unfolding when exposed to sunlight, as well as a chill wind sweeping...

Lucy Walkers nachdenkliche Vertonung von There is no rose fließt zwischen anschwellenden Gefühlen und warmen chromatischen Beugungen in den lateinischen Refrains. Dieses Stück fängt die natürlichen Be...

This innovative setting of the Magnificat celebrates the strength of teenage girls and is suitable for both liturgical and concert performance. The upper-voices sing in the style of Bulgarian choral f...

Eleanor Daley sets the text from Corinthians, 'Love is patient, Love is kind' as a descant above a repeated, polyphonic, and homophonic SATB chant of the Latin text Ubi caritas et amor Deus ibi est. T...

T solo, SATB chorus and orchestra

Eine stimmungsvolle A-cappella-Vertonung von Ivor Gurneys Lied Severn Meadows, das er wahrscheinlich 1917 in den Schützengräben des Ersten Weltkriegs schrieb. Diese neue, ergreifend schöne Vertonung,...

This prayer is the foundation of Orthodox faith in the Holy Trinity. Says Tavener: 'In setting it to music, I have tried to capture something of the deep conjunction and repentance which lie at the he...

Commissioned by the Plymouth Congregational Church of Minneapolis and first performed by the Plymouth Church Choir in March 2004. The work is a capella, with a prominant Soprano solo alongside two Alt...