Noten für Gemischter Chor (SATB)

Using the sturdy but lilting Shaker tune, Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it w...

Donald Grantham has set the beautiful and descriptive Jane Kenyon Poem in a serene and gentle musical pallet. With lush harmonies and much rubato within a slow tempo, this is atmospheric in its final...

Donald Grantham has set the beautiful and descriptive Jane Kenyon Poem in a serene and gentle musical pallet. With lush harmonies and much rubato within a slow tempo, this is atmospheric in its final...

These three choral vignettes are inspired by the whimsical poetry of Emily Dickinson. All three pieces require a free play of fancy and imagination. Using extended, aleatoric passages, non-metrical an...

Long, legato lines and shifting tonal centers describe this setting by Matthew Emery of this famous James Joyce poem. Speaking of the power of both love and music and how they intertwine and collide,...

Long, legato lines and shifting tonal centers describe this setting by Matthew Emery of this famous James Joyce poem. Speaking of the power of both love and music and how they intertwine and collide,...

From the pen of rapidly rising young composer Matthew Emery and winner of the 2013 ACDA Raymond W. Brock Memorial Student Composition Contest, this a cappella setting of the Robert Herrick poem is a b...

Five popular spirituals, arranged for a cappella SATB chorus. Includes Piano part for rehearsal purposes.

The traditional Scottish folk tune O Jeanie, There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.

The Silver Swan by Gregg Smith for SATB choir a cappella.

This famous Schirmer edition, now newly engraved, displays the simple line and homophonic textures for which de Victoria is known. Available separately, the VoiceTrax CD offers part-predominant tracks...

Maurice Duruflî (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct, it is almost chantlike in its melodic purity. Originally written for unison...

Written for the 100th anniversary of the St. Olaf choir, this work is commensurate with ability of one of the great choirs in America. The music makes consistent use of divisi texture, expansive arcs...

Jonathan Tunick has long been regarded as Broadway's preeminent orchestrator and he has been Stephen Sondheim's primary orchestrator from the beginning of his career. He is also a skilled and versatil...

Jonathan Tunick has long been regarded as Broadway's preeminent orchestrator and he has been Stephen Sondheim's primary orchestrator from the beginning of his career. He is also a skilled and versatil...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...

This is an arrangement, by Zalomen Mlotek, for mixed chorus, of a Yiddish Chanukah song written in 1921, by Solomon Golub and Abraham Reisen. The text describes a father chanting the blessings over th...

Legendary composer Kirke Mechem sets the Hebrew text that reminds us to entertain strangers, for thereby some have entertained angels. This inspirational text for SATB a cappella choir is accessible f...

Legendary composer Kirke Mechem sets the Hebrew text that reminds us to entertain strangers, for thereby some have entertained angels. This inspirational text for SATB a cappella choir is accessible f...

With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! Melody, harmony, counterpoint, we can sing ANYTHING! Ta-dah!

With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! Melody, harmony, counterpoint, we can sing ANYTHING! Ta-dah!

Augusta Read Thomas' Psalm 91: Verse 11 for Boys and Men's Chorus or SATB Chorus, a cappella.

This is a setting of an Irish Blessing but no THE Irish Blessing. This musical tapestry is one of unadorned a cappella mixed chorus, using soft dissonances and free-flowing counterpoint. Together in s...

This is the first new composition in the exciting new series curated by American conductor and composer, Rollo Dilworth. With a focus on literature for upper High School, Honors Choirs and early colle...