Noten für Gemischter Chor (SATB)

English translations are included alongside the German text. Offprinted from the collection German Romantic Partsongs, edited and translated by Judith Blezzard.

This partsong encorporates florid and chromatic vocal lines with regularly flowing dynamics. English translations are included alongside the German text. Offprinted from the collection German Romantic...

English translations are included alongside the German text. Offprinted from the collection German Romantic Partsongs, edited and translated by Judith Blezzard.

In Skempton's effective minimalistic style, this short work sets a well-known sacred text from Ecclesiastes 3, 1DS8. Emphasis is given to the text through the homorhythmic texture and flexible metre.

Bewahre mich wie einen Augapfel ist ein ruhiges und meditatives geistliches Werk, das sich für die Aufführung während des gesamten Kirchenjahres eignet. Der Text stammt aus Psalm 17 und ist eine Bitte...

Faith's Foundation celebrates church architecture as a means of teaching and representing Christian values. Setting George Herbert's poem The Church Floor, this piece marvels in melodic clarity and fl...

This is an edition by Marques L. A. Garrett of a short work by Brazilian composer José Maurício Nunes Garcia, who was active in the eighteenth and nineteenth centuries. Solemn and largely chordal in t...

Let nothing trouble you is a striking and atmospheric setting of a prayer by the Spanish mystic, St Teresa of Ávila. Commissioned by The Genesis Foundation for Harry Christophers and The Sixteen, this...

This edition of the Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700) is the first published version of the work. Featuring simple yet highly skilful writing, this moving piece will pr...

This is a tender setting of the popular Christmas text by the Wedderburn brothers. Filled with lilting rhythms and warming dynamic swells, this lullaby will make a captivating addition to any Christma...

A very popular Renaissance chanson which is partly onomatopoeic.

This is No. 3 of a group of folksongs collectively called Four Folksongs for the British Isles. These imaginative settings of traditional songs are easy and effective - potential showpieces for any co...

This is No. 4 of a group of folksongs collectively called Four Folksongs for the British Isles. These imaginative settings of traditional songs are easy and effective - potential showpieces for any co...

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic colour allow the simple beauty of the tune to be...

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic colour allow the simple beauty of the tune to be...

'Locus iste' has become a popular text for church dedication services. This simple and beautiful linear setting by O'Regan provides a stylish alternative to other, over-familiar settings.

This emotive motet sets a combination of verses from Psalms 31, 48, and 71. Essentially a prayer for God's protection and guidance, the piece is characterized by pungent and mesmerizing shifts of harm...

This piece sets a poem by Amy Lowell, vividly conveying the effect of the wind through a moving tapestry of eighth notes/quavers intertwined between the different voices. The melody floats over this b...

Setting a well-known Latin text, Miller mixes expressive harmony and flowing polyphony to create a touching anthem. The opening and closing sections develop the chant-like opening motif, enclosing a j...

SATB unaccompanied. A fine four-part motet for Christmas.

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams.. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

Der verstorbene David Trendell, der als Gelehrter und Chordirigent sehr bewundert wurde, komponierte diese Preces & Responses für SATB, als er um 1985 Orgelschüler am Exeter College in Oxford war. Kür...