Noten für Gemischter Chor (SATB)

A lively and folk-like setting of a traditional Jewish song. These three folksongs are colourful, original settings well within the grasp of most amateur choirs.

An expressive setting of the text of a traditional folk hymn. An arrangement for men's voices is also available.

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...

A short, but eloquent setting of the eighth stanza of the hymn 'Pange lingua', and thus an effective Holy Week motet.

Arrangements of traditional American tunes. 'Sourwood Mountain' is also available in Encores for Choirs 1 and Folk-Songs for Choirs 1. 'Black Sheep' is also available in Folk-songs for Choirs 1.

These two numbers, 'Monday's Child' and 'Sing a Song of Sixpence', are taken from Five Childhood Lyrics, based on traditional children's rhymes and games.

A beautiful anthem that combines natural imagery with sensitive text-setting, creating a powerful sense of narrative. Originally published in AStanford Anthology.

Setting a hymn by E. H. Plumptre, this rousing anthem is rich in textural and harmonic contrasts and innovative chord sequences. Harris employs effective repetition of the focal word 'rejoice!', which...

Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...

This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...

This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.

This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...

Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...

Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...

für SATB unbegleitet. Dieses Werk mit inspirierenden Worten von James Weldon Johnson ist sowohl ergreifend als auch mitreißend. My heart be brave ist eine ideale Wahl für Chöre, die in ihrem Programm...

Commissioned by King's College, Cambridge, for the 2021 Festival of Nine Lessons and Carols, Cecilia McDowall's setting of this well-known fifteenth-century macaronic text is expressive and ethereal....

A reflection on the plainchant 'Assumpta est Maria' (originally for the Feast of the Assumption of the Blessed Virgin Mary), this setting tenders a festal feel through its dance-like metre and expansi...

The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag: Raag Hamsadh...

Bob Chilcott has composed O Lord, make thy servant Elizabeth our Queen, a reflection on the 16th-century piece of the same title by William Byrd, for the occasion of Her Majesty The Queen's Platinum J...

This imaginative setting of the well-loved text O little town of Bethleham, by Phillips Brooks, displays McGlade's characteristic rich and expressive harmonies, with their jazz inflections. Opening wi...

Characteristically sung on Christmas Day, this Catholic chant depicts mystery and wonder at the birth of Jesus, as witnessed by the animals. The second half of the text relates to words spoken by Eliz...

Setting original words by the artist Marc Bratcher, this tender and evocative carol for unaccompanied SATB choir is suitable for performance at Christmas or Epiphany. The work opens with a gently flow...

This short Missa brevis setting is perfect for choirs looking to bring a fresh soundworld to their worship. Each movement is distinct in character, but with an overall cohesiveness of harmonic languag...