Noten für Gemischter Chor (SATB)

Orchestral material and vocal scores are available on hire.

This magnificent Easter anthem, in three distinct sections, combines text from Psalm 118 with two hymns from Hymns Ancient and Modern translated by John Mason Neale.

An exuberant song of rejoicing at the dawn, with a catchy, toe-tapping refrain of 'Cry jubilee'.

A dark and beautiful, yet also extremely approachable, work in three movements. The first two are darker in character: evening hymns that ask for protection and comfort through the night. The music li...

McDowall's Candlemas is a celebratory and powerful piece. Making use of choral divisions and suspensions and a dynamic organ part, this setting of Denise Levertov's text (on the Presentation of Jesus...

The melody of this hymn is first seen in print in 1582 from the songbook Piae Cantiones, where the words were replaced with Prudentius's poem in 1851. Orchestral scores and parts are also available. O...

A setting of the familiar psalm text with interpolations from nature writings by the American naturalist John Muir and by Patricia Hennings.

This touching carol for choir and organ sets a tender text by G. K. Chesterton. Immaculately crafted, it has at its heart another winning melody from arguably the world's most famous living composer o...

Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to...

This setting of Langston Hughes's poem In time of silver rain uses uplifting melodies and a supportive piano accompaniment featuring oscillating semiquavers and broken chords. The solo cello carries a...

John Rutter's sublime arrangement of the haunting Appalachian carol I wonder as I wander is lilting and evocative, setting the scene with an affecting opening verse for solo voice.

This is a moving and very original work, ideal for a carol service or concert. The addition of the flute (or treble recorder) adds a delicate pastoral flavour.

An exuberant, processional anthem celebrating Christ's entry into Jerusalem, ideally suited for Palm Sunday. It is accessible and catchy, with a strong tune and rhythmic accompaniment but not difficul...

This gently flowing, contemplative sacred choral work sets words from Isaiah 26 and Psalm 73, expressing gratitude for God's protection and guidance. McGlade includes a short passage which may be sung...

Keep me as the apple of the eye is a tranquil and meditative sacred work, suitable for performance throughout the liturgical year. Drawn from Psalm 17, the text is a plea for shelter and protection in...

Painting vivid imagery of falling leaves through cascading layers of sound in the work's opening and closing, McDowall employs contrasting rhythmic unisons to heighten the impact of this evocative tex...

This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A gradual building of choral texture creates...

Written in celebration of the 40th anniversary of the Tallis Scholars, this joyful and virtuosic antiphon captures a sense of both jubilation and devotion, in keeping with the spirit of the anniversar...

Our Voice sets the poem 'Murmuration' by contemporary poet Eleanor Stewart-Pointing, which explores the relationship between the human voice and the sounds and music of the natural world. The piano wr...

Orchestral material is available on hire.

This is a beautiful and modern setting of a traditional text, popularised by Orlando Gibbons' well-known madrigal 'The silver swan'. Also available in versions for solo high voice and SSA.

This powerful work is a sequence of meditations on loss, longing, fear, and hope. The text is in Latvian and English - a pronunciation guide for the Latvian text is included in the vocal score. Jackso...

This SATB arrangement has been the result of 3 other versions of Greensleeves by Vaughan Williams and is perfect for a spring or autumn concert. Offprinted from Vaughan Williams for Choirs 2.

The first two of these four songs are for solo baritone. The third song, 'Pan', is written for both soloists, with the melody passing back and forth between the singers. Xenophanes is also written for...