Noten für Gemischter Chor (SATB)

The Missa Sanctae Margaretae is a stunning new setting of the Missa Brevis, showcasing Jackson's mesmerizing choral writing. Ideal for use in services and concerts.

Advent Antiphons is an exquisite concert setting of the Great O Antiphons. Chilcott's writing for double choir is masterful; he embroiders a beautifully-textured work in which echoes of plainchant com...

Road to Refuge contrasts pure harmonies with dissonant passages as Wallen draws comparisons between the nativity story and modern refugees. The rippling piano accompaniment and sudden changes in the v...

This contemplative setting of a text by Mary Coleridge sees open fifths blended with inverted chords, within a hushed dynamic palette. Offprinted from Carols for Choirs 6.

One of John Rutter's most popular carols, Star Carol is presented here in German translation. Orchestral accompaniments are available on sale and on hire/rental.

This short song was written for the 'NMC Songbook', a CD of contemporary vocal studies. A song of a romantic and wistful nature, Outside Fort Tregantle was first performed and recorded in August 2008...

This is an upbeat and joyful setting of the traditional hymn text. Combining a strong melody, some modal nuances, and a fanfare-like organ accompaniment, it's a rousing carol that would be the ideal c...

This exquisite miniature sets an intimate prayer by St Augustine of Hippo asking for God's grace to know and serve Him. Simple and homophonic it is infused with Jackson's characteristic passion and lu...

This affectionate love song sets words by American poet Paul Laurence Dunbar. Featuring a bright piano part, clever use of syncopation, and a powerful melody, this song is sure to become a favourite o...

With a characteristically memorable tune by Chilcott, Mid-winter is an easy and original setting of the well-known Rossetti text. Also available in versions for SATB, and upper voices.

McGlade crafts a moment for each part to shine in her soothing setting of William Chatterton Dix’s What child is this?. Offprinted from Carols for Choirs 6.

This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).

This rousing carol sets a text by Norval Clyne. It perfectly captures the contrast between light and darkness in the text, with simple vocal lines underscored by a busy piano part culminating in a pow...

This tender carol sets an affecting text by Christina Rossetti that tells the story of Jesus's birth. In classic McDowall style, the setting explores a variety of choral textures and is interspersed w...

The initial marking 'Sparkling' is a good description of this piece's effervescent Toccata-like figurations and striking harmonies. The plainsong theme appears in longer note values either in the peda...

A traditional Canadian tune arranged for a mixed voice choir by John Rutter. Offprinted from the collection Joy to the World!

A joyful carol of celebration with the refrain 'Gloria in excelsis Deo'. Also available in versions for solo high voice, upper voices, and mixed voices.

Commissioned by the Nidaros Cathedral Girls' Choir, this jazzy setting of the Missa Brevis will be welcomed by all upper-voice choirs who enjoyed A Little Jazz Mass.

A reflection on the plainchant 'Assumpta est Maria', this setting tenders a festal feel through its dance-like metre and expansive melismas. The chant is carried through the work, at times presented b...

This is an evocative setting of the Rudyard Kipling jungle poem 'Now Chil the kite brings home the night'.

Material for the orchestral and brass accompaniments is available on hire.

This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs, this setting is both approachable and grip...

Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation...

This choral octavo is drawn from Larsen's It I am. This is a lovely, hushed and meditative hymn that is simple and eloquent. The brevity and expressive beauty of this piece can be equally used in both...