Noten für Gesang: Sopran & Tenor

Lydia Op.4, No.2, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pi...

Mai Op.1, No.2, composed by Gabriel Fauré with words by Victor Hugo. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with piano acc...

Mandoline Op. 58, No. 1, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice wit...

Nell Op.18, No.1, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pi...

Prison Op. 68, No. 1, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with p...

Für hohe Stimme und Klavier - Das Ave Maria ist ein äußerst ausdrucksstarkes und schönes Stück und gehört seit Generationen zum Standard bei Hochzeiten. Dieses zeitlose Meisterwerk von Schubert wird i...

Auf einen Zyklus von Jörg Hilbert für Sopran und Klavier mit Violine ad lib. 2007 hatte die Komponistin das Glück, den bekannten Kinderbuchautor und -illustrator Jörg Hilbert (Ritter Rost) kennen zu l...

Als Komponistin mehrerer Opern und sinfonischer Dich­tungen schildert Augusta Holmès in diesem Lied eine dramatische Szene 'lento misterioso'.

Sacem Preis für Komposition. Gestaltbildend ist der Gegensatz zwischen einer expressiven melodischen Führung und ausschlie-lich rhythmischen Elementen.

Sehr lyrischer und ansprechender Liederzyklus mit spanischem Duft. Text: Spanisch.

Die zeitgenössische Kritik, die sich erstaunt darüber zeigte, dass solch ein kraftvolles Stück von einer Frau stammte, ordnete dieses Trio in die Mendelssohn-Nachfolge ein, was in mancher Hinsicht dur...

Die Kantate besteht aus mehreren Teilen, die rondoartig aneinandergereiht sind. Kom­positionsgrundlage ist eine 12-Ton-Reihe.

Zunächst für Kinder geschrieben, sind es eher fünf sind kurze und gegensätzliche Stücke für Anfänger. Abwechselnd geht es um Melodie, Humor, Verspieltsein, Fröhlichkeit - eigentlich reflektieren sie K...

Nine songs - music by Philip Lane set to texts by William Shakespeare. These songs have been adapted from Philip Lane's 'Four Shakespeare Lyrics' and 'Five Shakespeare Lyrics' originally composed for...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

82 Schubert Songs for High Voice and Piano accompaniment. English translations by Theodore Baker. Complete edition in four parts. Part 1: Die Schone Mullerin, Part 2: Winterreise; Part 3: Schwanengesa...

Edited with introduction, translation and notes by John Glenn Paton.

Version for High Voice and Piano.

Seventeen celebrated Wedding songs for High Voice with Piano accompaniment, collected and edited by Bernard Taylor. Intended for those who intend to play an active part in deciding the music played on...

Chosen and edited by by Bernard Taylor from the wealth of great Classical and Romantic songs. This book beings with the early Italian classics and moves through the songs of Handel and Haydn, and on i...

This is among the most widely used teaching repertoire for singers in the U. S. Over 30 songs in each book, including American and British art songs, folk song arrangements, sacred songs and a samplin...