Noten für Gesang und Klavier für jedes Genre

For Tenor or Baritone voice, and Piano. Published in 1968. Score.

For Voice and Piano. Published in 1953. First performed by Hedli Anderson, Norman Franklin, BBC. Score.

For Contralto and Piano. Published in 1979. Text by Flaubert. First performed by Susan Tyrrell, David Owen Norris, Purcell Room, 7th January 1980. Score.

For Voice and Piano. Published in 1942. First performed by Hedli Anderson, Norman Franklin, Wigmore Hall, 17th November 1945. Score.

for female voice and piano

An anthology of new songs for voice and Piano on poems by Ursula Vaughan Williams. > Nicola LeFanu Finding, for Baritone and Piano > Jeremy Dale Roberts Spoken to a Bronze Head, for Mezzo Soprano/So...

The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create r...

Canciones Sobre Poemas based on poems by Eduardo Hurtado: 'Globo', 'Luciérnagas' and 'Faro'. 13'; for voice and piano.

David Blake's Songs And Epigrams for Voice and Piano. Performing score. This collection of 11 songs incorporates text by 8 different writers. The pieces together total 35 minutes. Songs include: A Swa...

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy, in Calabria, where an Albanian community has lived for more than 500 years, and so has the song! The tenderness of the melodic...

Elisabeth Lutyens ' The Numbered : an opera in Prologue and Two Acts. For 13 singers, 2 trebles, 3 male speakers, mixed chorus and orchestra. Based on the play 'Die Befristeten' by Elias Canetti (tran...

Jeremy Dale Roberts ' Beautiful Lie The Dead. Three songs for Voice and Piano. 1. DIRGE (from 'Death's Jestbook') (Text: Thomas Lovell Beddoes) 2. THE MOURNER (W. H. Davies) 3. BEAUTIFUL LIE THE DEAD...

Icarus is the third collaboration between David Blake and Keith Warner : an opera lasting 90 minutes without interval, for five principal singers and six Witnesses, who sing as commentators, crowd and...