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This mass setting, with texts in both Latin and English (Book of Common Prayer), is typical of the composer's style: musically sophisticated, with motivic solo lines and a great deal of chromaticism a...

Das 1736 kurz vor dem frühen Tod des nur 26-jährigen Pergolesi entstandene 'Stabat mater' erregte schnell Aufmerksamkeit. Die Bedeutung des Werkes war bald so gross, dass kein Geringerer als Johann Se...

Für Gesang, Violine und Klavier (Orgel)

Nein, man muss bei bei Ave Maria nicht nur an Bach/Gounod denken: Camille Saint-Saens (1835 1921) hat diesen Text ebenfalls - mehrfach - vertont: z. B. für Orgel (ohne Pedal) und zwei gleiche Stimmen....

Die Kantate ist merkwürdigerweise mit zwei Texten überliefert. Von diesen ist mit Sicherheit der zweite, womöglich aber auch der erste Parodie. Während der erste Text eindeutig für das Osterfest besti...

Nach Jahren gründlichen Studiums auf dem Konservatorium in Berlin und der Musikschule in Sondershausen wirkte Clara Schlaffhorst als Sängerin und Gesangslehrerin, Hedwig Andersen als Klavierlehrerin z...

With an alternating 2/4 and 3/4 time signature, this lilting melody is simple but charming, supported by a delicate piano part. Also available in a version for solo high voice and piano or organ.

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This cantata was written in 1708 when Handel is known to have been in Naples, with text referencing the river Volturno.

Scored for low voice and piano or organ, this folk-inspired melody is gentle and free-flowing, perfectly suited to the natural imagery found in the Lowry's popular poem. Also available in a version fo...

Scored here for low voice and piano or organ, this meaningful text by David Warner is accompanied by beautiful leaps and subsequent suspensions in the memorable melody, which is supported by rich text...

This is an attractive carol to a traditional Scottish text and with a gentle 'folk-y' feel. The flowing melody features flattened sevenths and delicate Scotch snaps, with each verse ending with a lull...

A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Perfect for concert use. Also available in versions for solo low voice and SSA.

An unaccompanied motet dedicated to Hubert Parry, setting text by the English poet John Skelton (c.1463-1529).