Noten für gemischten Chor zum Download

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...

Alive with a good-natured gospel flair, this a cappella sizzler will awaken everyone to the joy of Easter. Arranged for success, the piece practically sings itself. The catchy theme is decorated with...

Now available for mixed voices! This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learne...

Fast, rhythmic, with accents, textural twists and a slow rubato middle section, this short secular a cappella work is full of surprises and comic elements. With an Italian text by Charles Anthony Silv...

Be quiet, be still, listen and hear, far away a voice is calling, this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration...

Here is the Latin antiphon from the requiem mass for unaccompanied voices and soloists. Varied textures and a full dynamic range give this setting an emotional context that will offer appropriate chal...

John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer who wrote several madrigals in the style of Thomas Morley. This is perhaps his most famous one, and is a wonderful contest or festi...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

Stacey Gibbs captures the soul of each Spiritual he arranges. The essense of the song is unchanged, yet something new and fresh appears. It is the spiritual we know and love, yet it glistens like neve...

Ken Berg had a brilliant idea when he merged the classic Samuel Francis text with this elegant Brahms motet. Deeply profound in its simplicity, this piece is an excellent choice for Communion, Lent an...

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

Emerging composer Kelsey Hohnstein has produced a warm, deeply expressive setting of the Sara Teasdale poem with well-crafted vocal lines, interesting choral textures and a full dynamic range, making...

Recorded by a vast number of major artists, this standard is irresistible in its appeal! In this arrangement, the lyrics take on an important role in shaping the style, as the vocals evoke the imagery...

Following a short a cappella vocal fanfare, this exuberant work transitions into a lively 12/8 theme with full vocal textures and rich harmonies. The middle section is a contrasting slower 4/4 legato...

This spirited 3-voice madrigal with hand drum dances with humor and rhythmic energy! Excellent as a processional or opening number, your singers will enjoy the clever wordplay and vocal effects! Durat...

Der beliebte Spiritual in der swingenden Fassung der King Singers.

Now available in a sensitive a cappella edition, this Celtic Woman song is a tender reflection of the love between two people and their gratefulness for each other. In the morning when you rise, I ble...

William Byrd (c. 1540-1623) is one of the giants of the English Renaissance, composing sacred polyphony for both Anglican and Catholic rites. This collection provides well-edited, clean editions at an...

Originating as a traditional Tyne River Shanty for the transport of coal, this sturdy tune will fit well in a program of folk music, with a steady rowing motion in the accompaniment and a dancelike me...

Mixed choruses and chamber ensembles will frequently use and enjoy this collection of English madrigals, selected and edited by former King's Singer Philip Lawson. Selections include: Sweet Suffolk Ow...

The opening of this popular spiritual is presented in the traditional a cappella style, but before long it kicks into a fun and funky gospel groove that presents the melody punctuated by insertions of...

This Celtic blessing is well-known and loved in many different versions and this setting will be especially effective as a gentle closing number or encore for school and community choirs. Easily-learn...