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Originally published in Epiphany to All Saints for Choirs, this polyphonic motet perfectly captures the style of its time, with beautifully designed counterpoint and melismatic passages. Suitable for...
Originally published in Epiphany to All Saints for Choirs, this polyphonic motet perfectly captures the style of its time, with beautifully designed counterpoint and melismatic passages. Suitable for...
- Gemischter Chor (SATB)
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- Timothy Morris
- Oxford University Press
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From the collection Epiphany to All Saints for Choirs, Tallis's five-part setting of the Nunc dimittis is here edited by Stephen Rice. Scored for SATBB unaccompanied and including a piano part for reh...
From the collection Epiphany to All Saints for Choirs, Tallis's five-part setting of the Nunc dimittis is here edited by Stephen Rice. Scored for SATBB unaccompanied and including a piano part for reh...
- Gemischter Chor (SATBB)
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- Oxford University Press
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From the collection Epiphany to All Saints for Choirs, this Matins canticle has a text based on verses from Isaiah. Scored for SATB unaccompanied with soprano and tenor solos, it is most suitable for...
From the collection Epiphany to All Saints for Choirs, this Matins canticle has a text based on verses from Isaiah. Scored for SATB unaccompanied with soprano and tenor solos, it is most suitable for...
- Gemischter Chor (SATB)
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- Oxford University Press
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From the collection Epiphany to All Saints for Choirs, this lucid antiphon for the Epiphany is here edited by Timothy Morris. Scored for SATB unaccompanied and including a piano part for rehearsal pur...
From the collection Epiphany to All Saints for Choirs, this lucid antiphon for the Epiphany is here edited by Timothy Morris. Scored for SATB unaccompanied and including a piano part for rehearsal pur...
- Gemischter Chor (SATB)
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- Oxford University Press
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Originally published in Epiphany to All Saints for Choirs, this antiphon for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singi...
Originally published in Epiphany to All Saints for Choirs, this antiphon for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singi...
- Gemischter Chor (SATB)
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- Oxford University Press
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The Cherubic Hymn' is a hidden gem from Rachmaninov's Liturgy of St. John Chrysostom, perfect for Trinity Sunday. With flowing melodic lines, exquisite harmonies, and a contrasting second half, the re...
The Cherubic Hymn' is a hidden gem from Rachmaninov's Liturgy of St. John Chrysostom, perfect for Trinity Sunday. With flowing melodic lines, exquisite harmonies, and a contrasting second half, the re...
- Gemischter Chor (SATB)
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- Oxford University Press
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The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...
The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...
- Gemischter Chor (SATB)
- Chorpartitur Download
- Oxford University Press
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The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...
The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...
- Gemischter Chor (SATB)
- Chorpartitur Download
- Sarah Quartel
- Oxford University Press
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Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...
Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...
- Gemischter Chor (ATB)
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- Oxford University Press
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This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...
This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...
- Gemischter Chor (SATB)
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- Oxford University Press
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A lively and folk-like setting of a traditional Jewish song. These three folksongs are colourful, original settings well within the grasp of most amateur choirs.
A lively and folk-like setting of a traditional Jewish song. These three folksongs are colourful, original settings well within the grasp of most amateur choirs.
- Gemischter Chor (SATB)
- Chorpartitur Download
- Oxford University Press
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An expressive setting of the text of a traditional folk hymn. An arrangement for men's voices is also available.
An expressive setting of the text of a traditional folk hymn. An arrangement for men's voices is also available.
- Gemischter Chor (SATB)
- Chorpartitur Download
- Oxford University Press
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A short, but eloquent setting of the eighth stanza of the hymn 'Pange lingua', and thus an effective Holy Week motet.
A short, but eloquent setting of the eighth stanza of the hymn 'Pange lingua', and thus an effective Holy Week motet.
- Gemischter Chor (SATB)
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- John Rutter
- Oxford University Press
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Arrangements of traditional American tunes. 'Sourwood Mountain' is also available in Encores for Choirs 1 and Folk-Songs for Choirs 1. 'Black Sheep' is also available in Folk-songs for Choirs 1.
Arrangements of traditional American tunes. 'Sourwood Mountain' is also available in Encores for Choirs 1 and Folk-Songs for Choirs 1. 'Black Sheep' is also available in Folk-songs for Choirs 1.
- Gemischter Chor (SATB)
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- Oxford University Press
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A powerful and moving setting which was premiered in Westminster Abbey in November 1998.
A powerful and moving setting which was premiered in Westminster Abbey in November 1998.
- Gemischter Chor (SSAATTBB)
- Chorpartitur Download
- Oxford University Press
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These two numbers, 'Monday's Child' and 'Sing a Song of Sixpence', are taken from Five Childhood Lyrics, based on traditional children's rhymes and games.
These two numbers, 'Monday's Child' and 'Sing a Song of Sixpence', are taken from Five Childhood Lyrics, based on traditional children's rhymes and games.
- Gemischter Chor (SATB)
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- Oxford University Press
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This setting is taken from Five Traditional Songs.
This setting is taken from Five Traditional Songs.
- Gemischter Chor (SATBarB)
- Chorpartitur Download
- Oxford University Press
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A powerful commemoration motet for double choir with bold tonal and textural shifts, framed by outer sections in a deliberate archaic style. Originally published in AStanford Anthology.
A powerful commemoration motet for double choir with bold tonal and textural shifts, framed by outer sections in a deliberate archaic style. Originally published in AStanford Anthology.
- Gemischter Chor (SSAATTBB)
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- Oxford University Press
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Eine Sammlung von drei lateinischen Motetten: "Justorum animae", "Coelos ascendit hodie" und "Beati quorum via". Ursprünglich veröffentlicht in A Stanford Anthology.
Eine Sammlung von drei lateinischen Motetten: "Justorum animae", "Coelos ascendit hodie" und "Beati quorum via". Ursprünglich veröffentlicht in A Stanford Anthology.
- Gemischter Chor (SSAATTBB)
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- Oxford University Press
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A beautiful anthem that combines natural imagery with sensitive text-setting, creating a powerful sense of narrative. Originally published in AStanford Anthology.
A beautiful anthem that combines natural imagery with sensitive text-setting, creating a powerful sense of narrative. Originally published in AStanford Anthology.
- Gemischter Chor (SATB)
- Noten Download
- Oxford University Press
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- Gemischter Chor (SATB) und Soli
- Noten Download
- Oxford University Press
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Setting a hymn by E. H. Plumptre, this rousing anthem is rich in textural and harmonic contrasts and innovative chord sequences. Harris employs effective repetition of the focal word 'rejoice!', which...
Setting a hymn by E. H. Plumptre, this rousing anthem is rich in textural and harmonic contrasts and innovative chord sequences. Harris employs effective repetition of the focal word 'rejoice!', which...
- Gemischter Chor (SATB)
- Noten Download
- Oxford University Press
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Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...
Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...
- Gemischter Chor (SATB)
- Noten Download
- Oxford University Press
-
sofort verfügbar
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- Gemischter Chor (SATB)
- Noten Download
- Oxford University Press
-
sofort verfügbar
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This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...
This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...
- Gemischter Chor (SATB)
- Noten Download
- Oxford University Press
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sofort verfügbar
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