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This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

This popular general-purpose spiritual is now available for your men. Creative and full-sounding choral writing features both homophonic and 2-part textures. Clever, innovative, non-sacred text: 'No n...

An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with...

An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

Masterful a capella arrangement of a haunting Quaker hymn. It's lush, with divisi in all parts. An outstanding festival/contest selection - powerful text.

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

Mark Hayes' newest spirital arrangement is in the classic, time-honored choral style, with full, a cappella scoring throughout. Powerful sectional writing often contrasts the men with the women, and s...

Sally Albrecht has created this swinging, original spiritual in editions for SATB and SSAB for mixed groups of all ages. The basses open with the rhythmic melody and the other voices join in turn. Inc...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

This trio of fresh, new, madrigals from Jay Althouse is a valuable addition to the choral repertoire of 3-part and SSA choirs. And at 1.75, it's quite a value. The first is in a traditional madrigal s...

A new classic spiritual arrangement from one of the finest choral arrangers of our era, Mark Hayes. If you're familiar with Mark's work, then perhaps little more needs to be said. The harmonies are tr...

It's an original spiritual with a touch of the traditional I Want to Be Ready. It's fresh and singable, with solid part writing. And just when you think the exciting original melody is about to end, t...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

Another well-edited arrangement by Russell Robinson from the madrigal repertoire. Sung a cappella, or with the piano, the men's part spans only six notes in an easy range for changing voices. Charming...