Noten von John Caponegro bei Kendor Music

Die sehr melodische und lyrische Einleitung zum dritten Akt aus Georges Bizets Oper 'Carmen' mit optionalen Stimmen für die dritte Violine/Viola im Violinschlüssel.

This introduction to Act 3 of the opera Carmen by Georges Bizet is a very melodic and lyrical piece. Arranged here at the grade 4 level in the key of D major, each set includes three copies of the 3rd...

Die wunderschöne Sopranarie aus Wolfgang Amadeus Mozarts 'Hochzeit des Figaro' besticht vor allem durch die kreative Verarbeitung und Harmonisierung der einfachen Melodie. Ein Beispiel für große Kompo...

This beautiful Latin piece contrasts a lyrical A theme and a rhythmic B theme with convincing results. It gives everyone a chance to shine, especially violas and cellos when they carry the melodic lea...

Dieses schöne lateinamerikanische Stück kontrastiert ein lyrisches A-Thema und ein rhythmisches B-Thema mit überzeugenden Ergebnissen. Es gibt jedem eine Chance zu glänzen, besonders den Bratschen und...

Most often heard during the Christmas season but appropriate all year long, this familiar English tune lets students focus on playing with warm expression and good intonation. Great change-of-pace far...

Als angenehmer Kontrast zum überwiegend rhythmischen Charakter dieses bekannten Weihnachtsthemas enthält dieses Arrangement ein lyrisches Zwischenspiel vor dem D.S. und der Coda. Obwohl die Klaviersti...

As a pleasing contrast to the predominantly rhythmic character of this familiar holiday theme, this arrangement features a lyrical interlude before the D.S. and coda. Though the piano part is optional...

Featuring simple fiddle-style figures, this winning original in G opens with pyramid entrances by each section and a tutti presentation of the main theme before the canonic portion begins. When the ro...

This medley of great Irish favorites is a worthy selection that offers a nice change of pace from standard concert fare. The first tune is a lively reel, the second an expressive ballad, and the third...

Most often heard during the holiday season but appropriate all year long, this familiar English tune lets students focus on playing with warm expression and good intonation. Great change-of-pace fare...

Featuring simple fiddle-style figures, this winning original in G opens with pyramid entrances by each section and a tutti presentation of the main theme before the canonic portion begins. When the ro...

Scored at a grade 2+, this medley includes the classic Irish favorites, Stack O' Barley, Londonderry Aire, and McNamara's Band. This is a worthy concert selection utilizing contrasting themes that wil...

Here's a fun piece that your beginning string students will ask to play again and again!

This imaginative jazz waltz based on a standard blues chord progression will be a refreshing change-of-pace for any concert program and provides a great opportunity to teach students to swing 8th note...

Hier ist ein lustiges Stück, das Ihre Streicherkinder immer wieder spielen wollen!

This grade 2+ jazz waltz is based on a standard blues chord progression, and will be a refreshing change-of-pace for any concert program. This is a great opportunity to teach students to swing 8th not...

This grade 2+ jazz waltz is based on a standard blues chord progression, and will be a refreshing change-of-pace for any concert program. This is a great opportunity to teach students to swing 8th not...

Chicago, ein weiterer beliebter Jazzstandard aus der Reihe Jazz Classics For String Orchestra, kann mit oder ohne Solisten gespielt werden. Für alle Instrumente gibt es ausgeschriebene Soli, oder der...

Chicago, another popular jazz standard in the Jazz Classics For String Orchestra Series, can be performed with or without the solo section. Written out solos are provided for all instruments, or the s...

These charming minuets in 3/4 time are perfect for developing good intonation, rhythm, bowing and musical expression skills. Some easy contrapuntal textures will familiarize students with the Baroque...

This original by one of the industry's top writers begins as a leisurely chorale that tunefully moves into a march. Extensive doubling of the 2nd Violin and viola parts allows directors to move more p...

This regal selection from the oratorio Judas Maccabeus by Handel is playable entirely in first position. Accidentals are few, phrasing patterns and rhythms are customary, and melodic duties are not li...

An excellent example of Baroque literature in a non-contrapuntal style, the parts in this setting are technically simple so directors can focus on concepts of musicality and interpretation during rehe...

Scored in G and D, this simplified version of Beethoven's 9th Symphony theme features dramatic crescendos, clear bowing indications, and some pizzicato work for cellos and basses. It also assigns some...