Noten von Komponistinnen für Frauenchor: Brillante Vokalwerke

Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting them...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

Setting the modernized words of an Anglo-Saxon metrical charm, this thrilling piece is unusual, dramatic, and beguiling. Featuring a whispered list of potion ingredients for the intro and outro, it al...

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...

Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting them...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

Marie-Claire Saindons Keeping Time for Joy spiegelt die Freude im Text der zeitgenössischen Schriftstellerin Sarah Windle in diesem erbaulichen Stück wider. Volkstümliche skalierte Melodien, die durch...

Dieses dreisätzige Werk, das den "Schwestern überall" gewidmet ist, kombiniert eine Reihe von Themen mit der Poesie von Sara Teasdale. Der erste Satz, "Sister of the Sky" (Schwester des Himmels), konz...

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

Here's a marvelous music history lesson! This clever a cappella choral features snippets of well-known madrigal texts and music, mixed in with an original contrapuntal theme.

Three-part women's and men's ensembles will excel with this majestic a cappella concert work. Joyful melodic motives are passed from voice to voice, and percussive handclaps bridge varied sections of...

Three-part women's and men's ensembles will excel with this majestic a cappella concert work. Joyful melodic motives are passed from voice to voice, and percussive handclaps bridge varied sections of...

An initial descending line opens up into lush four-part harmony in this contemporary a cappella concert work. Meditative and earnest, Sally Albrecht's prayerful text setting will inspire and uplift yo...

An initial descending line opens up into lush four-part harmony in this contemporary a cappella concert work. Meditative and earnest, Sally Albrecht's prayerful text setting will inspire and uplift yo...

Der mexikanischer Walzer ist ein charmanter A-cappella-Titel, der von einer neuen Liebe erzählt. Die tiefen Stimmen bilden dabei eine tänzerische Grundlage für die beschwingte Melodie, mit der gegen E...

Diese kurze, aber wunderschön gestaltete Motette für hohe Stimmen wurde für die kombinierten Mädchenchöre der Godolphin & Latymer School komponiert, während Kerensa Briggs dort im Jahr 2019 Composer i...

J'ai écrit cette berceuse sur un poème d’Isabelle Daccord. C’était en 2008, la petite Mila, nièce d’Isabelle, venait de naître et sa tante souhaitait lui écrire quelque chose. Le 'Ch...

A beautiful new tune to the Catholic prayer to Virgin Mary. The prayer begins with the angel Gabriel's greeting to Maria 'Ave Maria, gratia plena, Dominus Tecum!' which means' Hill you, Mary, full of...

These were commissioned by Pamela Cook and Cantamus and were first performed in 1972. They are for unnacompanied SSA voices.

Eine schöne Botschaft in einer fesselnden Vertonung für Dreifachchöre.