Noten von Komponistinnen: Entdecken Sie vielfältige Arrangements

The joy of ensemble playing with six hands at the piano is captured in this series of trios by educational music author Melody Bober. Written for pianists at the late-intermediate level, the pieces in...

Vier Beginnt' wurde für den Streicherklassenunterricht im Grundschulalter entwickelt, ist darüber hinaus aber auch im Einzelunterricht verwendbar. Dank zahlreicher neuer Lieder und Spielstücke mit sch...

Melancholisches Lied mit getragener, sehnsuchtsvoller Stimmung.

Dieses Notenbuch enthält die Originalnoten des Werkes "Cortege" von Lili Boulanger, Nummer 3 aus Trois morceaux für Klavier. Geeignet für fortgeschrittene Lerner in H-Dur.

Dieses Notenbuch enthält die Originalnoten des Werkes "D'un jardin clair" von Lili Boulanger, Nummer 2 aus Trois morceaux für Klavier. Geeignet für fortgeschrittene Lerner in H-Dur.

Dieses Notenbuch enthält die Originalnoten des Werkes "D'un vieux jardin" von Lili Boulanger, Nummer 1 aus Trois morceaux für Klavier. Geeignet für fortgeschrittene Lerner in E-Dur.

In this fast and energetic piece, Quartel sets her own text celebrating the joy of singing. The melody weaves in and out of the texture, supported by dynamic vocal accompaniment and rhythmically drive...

Voice on the Wind sets an inspiring text, written by the composer, about the empowerment of singing. With a catchy melody, imitative scat singing, and a driving hand drum accompaniment, this piece has...

McDowall's setting is optimistic and appealing, with charming interplay between the voices and piano. The inspirational words are by Marie Curie.

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring. My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programmi...

This beautiful anthem, set to words by Timothy Rees and the composer, celebrates God's all-encompassing love for mankind. The gentle melody introduced in verse 1 by the sopranos prevails throughout an...

Brooke's arrangement of this traditional sea shanty is invigorating and atmospheric. Changing voices will enjoy the theme of trains and ships in the text, as well as the boisterous call-and-response t...

A powerfully emotive setting that contrasts moments of reflection with declamatory exultation, Psalm 57 uses passages from the eponymous psalm in the King James translation. Written in 1972, it is ded...

This familiar text with an original melody by Bob Chilcott can be performed in unison, two parts, or three parts at the discretion of the conductor or singers. The parts can be sung in any combination...

This is a version for string quartet of Erkoreka's saxophone quartet, Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.

This famous Christmas carol is set to Redner's tune, which is the version most known in The United States. Rutter has also included a descant for the final verse. Offprinted from the collection Joy to...

Composed in 1941, this is the first publication of this work.

Changing the world starts with just one person! Using a powerful vocal call and response with body percussion, this original work builds confidence and self-awareness through the affirming lyrics and...

Treble choirs in middle school and children's choirs will develop important choral skills with this charming original work that imagines the light, warmth and color of spring within winter's cold and...

Two of Clara Schumann's most renowned vocal pieces, Sie liebten sich beide and Warum willst du and're fragen, are arranged here for SSA or 3-Part Treble voices. A nice way to build in the German langu...

From the collection As you sing, 'Now is the time' is a secular concert work by Cecilia McDowall, scored for upper voices with piano. Setting inspirational words by Marie Curie, this optimistic piece...

Reflecting the times in our lives that we feel so great we have to burst into song, Rejoice and Sing is here represented in Latin Exultate! Cantate!. A strong piece that allows young singers to sing i...

This work was written around 1940, placing it near the beginning of a series of Clarke's late compositions. It both looks forward to her lean, linear, avowedly modern conceptions and backwards to work...