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This anthem sets biblical words that explore love and kindness. The opening section creates a mood of hopefulness, and the central section is built around the words 'Be kind, tender-hearted, one to an...

An atmospheric setting of Caliban's dream from The Tempest, this piece transports the listener to a dream-like place. McDowall's immersive harmonies and ornamentation perfectly characterise the reveri...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

This is a warm and tender piece setting the last three verses of Christina Rossetti's 'What good shall my life do me?', which encourages leading a life of love as an example for others. Daley's heartf...

This is a warm and tender piece setting the last three verses of Christina Rossetti's 'What good shall my life do me?', which encourages leading a life of love as an example for others. Daley's heartf...

Composed for International Women's Day, this mesmerising piece celebrates the centennary of Rosalind Franklin and sets her own words with additional text by the poet Seán Street. McDowall's tribute to...

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment. Also available in a version for SSAA...

This a beautiful and meditative setting of a translated text from Carmina Gadelica, a collection of Gaelic hymns, prayers, and other texts. With gentle suspensions and exquisite harmonies, this anthem...

This uplifting anthem sets the Invocation text from Carmina Gadelica. McDowall's beautiful melodies flow and intertwine, decorated by scotch snaps that reflect the text's origin. Suitable for services...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

Originally published in The Ivy and the Holly, Andrew's polymetric setting of this traditional text is evocative and energetic, with sustained vocalizations and creative melodies that bounce around th...

From the collection Love Songs, 'Dear Love' sets a text by American writer Willa Cather. Scored for SATB unaccompanied, this meditation on the universality of love features rich, lucid harmonies and c...

Composed for International Women's Day, this mesmerizing piece celebrates the centennary of Rosalind Franklin and sets her own words with additional text by the poet Seán Street. . . .

The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...

The Island Itself is a setting of the poem Homage to Omey by Irish poet, Joan McBreen. The imagery of the sea conveyed in the text is reflected through lilting, syncopated rhythms. The melody is suppo...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

This setting of Edward Caswall's well-known text shows all the hallmarks of McGlade's characteristic style, with changing time signatures, beguiling chromaticisms, and a beautiful, fluid melody. Chang...

Commissioned by Sonoro for the second instalment of their Choral Inspirations project, McDowall has composed Crucifixus Reimagined as a response to Lotti's Crucifixus from Credo in F. Use of suspensio...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...