Operetten für Blasorchester

Franz von Suppe (1819-1895) gilt als der eigentliche Begründer der Wiener Operette. Jedoch selbst in guten Nachschlagewerken wird er heute nur noch am Rande erwähnt. Der junge Franz von Suppe kam aus...

Ausschnitte aus: Dichter und Bauer (F. von Suppé), Zigeunerbaron (J. Strauss), Fra Diavolo (D. Auber), Die Fledermaus (J. Strauss), Les Contes d'Hoffmann (J. Offenbach), Leichte Kavallerie (F. Von Sup...

Der "Einzugsmarsch" aus der Operette "Der Zigeunerbaron" von Johann Strauss ist eines seiner bekanntesten Werke. Komponiert im Jahr 1885, besticht dieser Marsch durch seine kraftvolle Melodie und die...

Der "Einzugsmarsch" aus der Operette "Der Zigeunerbaron" von Johann Strauss ist eines seiner bekanntesten Werke. Komponiert im Jahr 1885, besticht dieser Marsch durch seine kraftvolle Melodie und die...

Diese Operette wurde 1896 in Wien uraufgeführt. Die erste Fassung der Ouvertüre hatte jedoch noch nicht das später für den Druck hinzugefügte Allegretto moderato, den sogenannten Jagdgalopp. Das vorli...

Der Bettelstudent ist die wohl populärste Operette des Österreichers Carl Millöcker, in deren Mittelpunkt der charmante Walzer 'Ach ich hab sie ja nur auf die Schulter geküsst' steht. Das Werk hat im...

Franz Gerstbrein arrangierte diesen bekannten Marsch aus der Operette „Wiener Frauen“ von Franz Lehár neu im traditionellen Egerländer Stil für Blasorchester. Auch gut in kleiner Besetzung spielbar Ne...

The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...

The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...

The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...

Ich lade gern mir Gäste ein' is sung by Prince Orlovsky in the second act of Die Fledermaus: he himself is permanently bored by his wealth, but he insists upon his guests enjoying themselves at his ma...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

O Fledermaus, o Fledermaus' is the very final of the Operetta Die Fledermaus. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...

Tenor ana Concert Band. Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Pagan...

Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Paganini tells of the legenda...

Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...

Soprano and Wind Ensemble The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe...

Soprano, Tenor, Choir and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr.,...

Two Tenors and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von S...