Originalwerke von Kendor Music

Commissioned by Dave Parker and the University of Portland Jazz Festival, this Count Basie style ballad features wide dynamic contrasts, ranging from a whisper to a roar! It's an ideal piece for teach...

Commissioned by Dave Parker and the University of Portland Jazz Festival, this Count Basie style ballad features wide dynamic contrasts, ranging from a whisper to a roar! It's an ideal piece for teach...

Commissioned by Dave Parker and the University of Portland Jazz Festival, this Count Basie style ballad features wide dynamic contrasts ranging from a whisper to a roar! It's an ideal piece for teachi...

This beautiful tenor sax feature was originally written for the Jaco Pastorius Word Of Mouth Band, then recorded in 1986 by the Mintzer Big Band on Camouflage (DMP). Playable by proficient groups, it...

This beautiful tenor sax feature was originally written for the Jaco Pastorius Word Of Mouth Band, then recorded in 1986 by the Mintzer Big Band on Camouflage (DMP). Playable by proficient groups, it...

This beautiful tenor sax feature was originally written for the Jaco Pastorius Word Of Mouth Band, then recorded in 1986 by the Mintzer Big Band on Camouflage (DMP). Playable by proficient groups, it...

As recorded by the Thad Jones-Mel Lewis Orchestra on Central Park North (Solid State #18058), this classic swinger is a winning mix of solo-with-rhythm-section and full-band passages. Designated soloi...

Listed in "Teaching Music through Performance in Jazz" (GIA Publications) and recorded by the Thad Jones/Mel Lewis Jazz Orchestra on their Central Park North album, this great collaboration between ba...

Das Ergebnis aus der Zusammenarbeit von Jerome Richardson und Thad Jones ist ein kraftvoller Bluestitel mit spannenden Melodielinien, modernen Harmonien und viel Raum zur Improvisation.

As recorded in 1970 by the great Thad Jones-Mel Lewis Orchestra on their album Consummation (Blue Note), this funky blues shuffle in 5/4 opens with a repeated rhythm section vamp before horns are adde...

As recorded by the Thad Jones-Mel Lewis Orchestra in 1974 on their Live In Tokyo album, this straight-ahead blues features solo space for piano, three trombones, and drums. Since the drum solo is unac...

As recorded by the Thad Jones-Mel Lewis Orchestra in 1974 on their Live In Tokyo album, this straight-ahead blues features solo space for piano, three trombones, and drums. Since the drum solo is unac...

This medium-tempo blues for proficient groups gives solos to soprano sax and piano, followed by a solo chorus that can be opened up for tenor, trumpet and/or trombone according to your band's strength...

This medium-tempo blues for proficient groups gives solos to soprano sax and piano, followed by a solo chorus that can be opened up for tenor, trumpet and/or trombone according to your band's strength...

As recorded by the Thad Jones-Mel Lewis Orchestra on their Suite For Pops album, this third part of the Suite has a heavy swing shuffle feel, half-plunger trumpet duets, plunger solos for trombone, an...

As recorded by the Thad Jones-Mel Lewis Orchestra on their Suite For Pops album, this third part of the Suite has a heavy swing shuffle feel, half-plunger trumpet duets, plunger solos for trombone, an...

Recorded the Bob Mintzer Big Band on their DMP album Spectrum, this crowd-pleasing chart in the great Basie tradition shines the solo spotlight on piano, with optional solo changes also provided for t...

Recorded the Bob Mintzer Big Band on their DMP album Spectrum, this crowd-pleasing chart in the great Basie tradition shines the solo spotlight on piano, with optional solo changes also provided for t...

Recorded in 1998 by the Monday Night Big Band on their Thanks To Thad album, this is Part 3 of Thad's larger Return Journey Suite. It features lots of powerful writing for the full ensemble and abunda...

Recorded in 1998 by the Monday Night Big Band on their Thanks To Thad album, this is Part 3 of Thad's larger Return Journey Suite. It features lots of powerful writing for the full ensemble and abunda...

Recorded in 1968 by the Thad Jones-Mel Lewis Jazz Orchestra on their Monday Night album, this swingin' blues at a moderate tempo opens with an ad lib piano solo, then shifts immediately to a solo chor...

Recorded in 1968 by the Thad Jones-Mel Lewis Jazz Orchestra on their Monday Night album, this swingin' blues at a moderate tempo opens with an ad lib piano solo, then shifts immediately to a solo chor...

Subtitled A Shuffle For Art's Sake (referring to Art Dedrick, Kendor's founder) and commissioned by Kendor in celebration of its 25th anniversary, this dynamic original assigns solos to alto, tenor an...

Subtitled A Shuffle For Art's Sake (referring to Art Dedrick, Kendor's founder) and commissioned by Kendor in celebration of its 25th anniversary, this dynamic original assigns solos to alto, tenor an...

As recorded by the Bob Mintzer Big Band on Incredible Journey, a recurring melodic motif, driving funk groove, and fully-voiced harmonic landscape give this chart real substance and audience appeal. S...