Oster-Noten für Chor: Große Auswahl für Vokalmusik

Noble gestures call the faithful to worship the risen Lord in this festival offering. Leaping with triumph, the tune lifts the Latin phrase Christus resurrexit! Resurrexit vere! to soaring heights. Op...

A solo violin begins this setting with the familiar Hamburg hymn tune. But the choir's entrance reveals that the hymn's well-known lyrics are being sung to the O Waly Waly tune (O Danny Boy). These tw...

Roger Emersons intensive und bedrohliche Vertonung des Dies Irae endet schließlich mit einer Botschaft der Hoffnung und des Lichts, die im triumphalen Schluss der Komposition zum Ausdruck kommt. Durch...

Roger Emersons intensive und bedrohliche Vertonung des Dies Irae endet schließlich mit einer Botschaft der Hoffnung und des Lichts, die im triumphalen Schluss der Komposition zum Ausdruck kommt. Durch...

Ostern bricht mit jubelndem Gesang in dieser beschwingten Hymne für den Auferstehungssonntag und darüber hinaus an. Neu komponierte Musik wird mit der sofort wiedererkennbaren Melodie von Beethovens "...

Featuring a mezzo-soprano solo, this dramatic setting by Rosephanye Powell will be instantly embraced by your choir and congregation. Appropriate for the Easter season, you will also find this anthem...

Composer Jonathan Shippey has scored this masterful Easter anthem incorporating the tunes Lancashire and Ellacombe. For mixed voices with keyboard and trumpet, a reproducible congregational part is al...

King Of Kings is a wonderfully spirited Easter anthem, composed by Caleb Simper, for four-part (SATB) chorus of mixed voices, with a baritone and soprano (or tenor) solo.

For Mixed Chorus, Brass Sextet, Timpani, and Optional Organ.

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

For soloists, SATB, and organ Written for the Choir of Wells Cathedral, this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the E...

This arrangement of Rimsky-Korsakov's 'Glory' (Slava, Op.21) by Terry Price brings this popular Russian anthem to a wider audience. The original Russian text has been replaced with a hymn by the arran...

This rousing arrangement of Rimsky-Korsakov's 'Glory' (Slava, Op.21) brings this popular Russian anthem to a wider audience. The original Russian text is replaced by a hymn by the arranger that is par...

For SATB, accompanied by brass quartet and timpani, or trumpet and organ - Opening with a brass fanfare, this adaptation of Psalm 96 to the well-known tune 'Crucifer' makes a terrific piece for an Eas...

This dramatic Easter program of approximately 8 minutes' duration is perfect for regular Easter worship, a great alternative to a cantata! Page and Shafferman have created a compelling blend of biblic...

Here's what your congregation wants to hear on Easter morning, an inventive blend of old and new! The introduction quotes the gospel favorite, 'Low in the Grave He Lay. ' The choir enters singing Tom...

This triumphant medley of hymn tunes opens with a joyful choral fanfare that will really set the tone for Easter worship. The choir and (opt.) congregation join in singing the first verse of The Day o...

This triumphant medley blends fresh, uplifting settings of traditional resurrection hymns with Reuben Morgan's outstanding contemporary Easter praise song. After the narrator (opt.) proclaims our Savi...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

Osterkantate für Solostimmen, Chor und Instrumente. Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Trompete (2), Pauke, Streicher, Basso continuo. Die Chorpartitur enthält au...

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Flöte, Blockflöte (2), Oboe (2), Fagott, Trompete (2), Posaune, Violine (4), Viola, Gambe, Bas

Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Flöte, Blockflöte (2), Oboe (2), Fagott, Trompete (2), Posaune, Violine (4), Viola, Gambe, Bas

Ein Lämmlein geht und trägt die Schuld. Sopran solo (2), Alt solo, Tenor solo (3), Bass solo (3), Gemischter Chor-SATB, Klavier, Streicher, Basso continuo - Klavierauszug; Urtextausgabe Chorwerke mit...

10 ausgewählte Choräle für Chor und Bc(Org), nach dem Urtext der Neuen Bach-Ausgabe, Instrumente (2 Fl, 2 Ob, Str) ad lib. Gemischter Chor-SATB, Basso continuo, Instrument ad lib. - Singpartitur; Spie...