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Combining two powerful hymn tunes and a creative original lyric, this choral concept for Easter Sunday morning is a bold statement of faith in the risen Christ! Sturdy part-writing invites each vocal...

From the cantata Festival of Faith, this flourish of Easter praise is the perfect exclamation point for Resurrection Sunday. The well-known hymn tune ENGELBERG receives a syncopated and mixed-meter up...

Especially designed for Easter Sunday morning, this introit for choir and handbells is an ideal opener! Consider covering a cross with flowers and letting it lead your people into the sanctuary during...

Vivaldi's Gloria is given a new role as and Easter introit in this concept for Resurrection morning. A brief excerpt from the masterwork is re-tooled with new words, announcing the risen Christ with c...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Not to be confused with Rutter's own composition, Christ the Lord is risen again, published as part of the John Rutter Anniversary Edition. With an exciting introductory fanfare composed by Rutter, th...

This bright and exultant arrangement of Michael Praetorius's melody 'Puer nobis nascitur' is presented with two text options: 'O splendor of God's glory bright' for general worship and 'That Easter da...

This rousing arrangement of Rimsky-Korsakov's 'Glory' (Slava, Op.21) brings this popular Russian anthem to a wider audience. The original Russian text is replaced by a hymn by the arranger that is par...

This is a grand and exultant arrangement of the hymn tune 'Llanfair' and is presented with two text options: 'Hail the day that sees him rise' for use at Easter, and 'Praise the Lord! his glories show...

A setting of the popular Easter hymn by G. R. Woodward, This joyful Eastertide is a jubilant anthem celebrating the Resurrection. With driving rhythms, a memorable melody, and effective repetitions, t...

This attractive anthem demonstrates Archer's gift for melody and structure. Tuneful and appealing, it can be used at any time within the Church's year but is particularly suitable during Advent and Ea...

This Easter anthem is a triumphant setting of words by Edmund Spenser and St John Damascene, featuring joyful choral parts, and ending with a new harmonization of the Easter hymn tune 'Ellacombe', wit...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

The rhythmic power of 'Videntes Stellam Magi' is echoed in this jubilant finale. Instrumental material is available on hire.

Mit der bewegenden Osterkantate „Bleib bei uns, denn es will Abend werden“ (BWV 6) fängt Johann Sebastian Bach die tröstliche Atmosphäre der biblischen Emmaus-Erzählung meisterhaft ein. Das festliche...

Johann Sebastian Bachs Kantate "Der Himmel lacht! Die Erde jubilieret" BWV 31 entstand in Weimar für den Sonntag des 21.April 1715. Der Text von Salomon Franck knüpft eng an das Osterevangelium an. ln...

Die Kantate Der Friede sei mit dir gehört zu denjenigen Werken Bachs, die uns besondere Rätsel aufgeben. Weder ist der Textdichter bekannt noch die Entstehungsgeschichte der Komposition, und wenn nich...

Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo

Die vorliegende Kantate zum Sonntag Trinitatis ist die erste von zwei derartigen Kompositionen Johann Sebastian Bachs, entstanden im Jahre 1723 nach seiner Berufung nach Leipzig. Die vorliegende Kanta...

Es ist heute schwer vorstellbar, dass die Musik von J.S. Bach nach dem Tod des Komponisten für etwa ein halbes Jahrhundert in Vergessenheit geriet. Seine Nachfolger an der Thomaskirche bevorzugten ein...

Lesungsmusik zur Todesstunde Jesu. Chor: Introitus und Conclusio Gemischter Chor-SATTB - Chorpartitur