Oxford University Press Chornoten

This is a fresh and optimistic version of a nineteenth-century hymn set in a rock-gospel style. The results are uplifting.

Bednall's beautiful setting of this much-loved prayer is warm, simple, and immediate. The vocal line is expertly lyrical and the accompaniment suitably supporting, with a serene line for solo violin t...

A charming and straightforward setting of a poetic text by Sabine Baring-Gould, this delightful carol is characterized by a simple and effective melody. The voices are in unison for much of the piece,...

This simple, beautiful setting of the ancient prayer has a carefully judged range with young voices in mind.

Wayfarin' Stranger is a two-part upper voice version of the SAB setting of the popular American folksong that is featured in SongStream 2: An American Journey. A blues flavour in the accompaniment and...

This thought-provoking carol takes up the topical theme of the plight of refugees, drawing parallels with the stories and reception of Christ's birth. The text, by the composer, alludes to familiar li...

This attractive setting of a text by Christina Rossetti combines a shapely melody with a gentle, rippling piano accompaniment. Ideal for Easter concerts and services.

This is a gentle, blues setting of 'A Cradle Song' from William Blake's Songs of Innocence and Experience. Rich harmonies, blues chords, and syncopation combine with the classic Chilcott sound to crea...

This publication makes available some of the most renowned and beautiful chants of the Gregorian repertory. All eleven chants have modern notation, with editorial performance suggestions.

A short, simple, but joyful piece that never raises its voice above piano.

This setting is faithful to the original folksong melody 'She's like the Swallow'. The straightforward piano part sets the mood, cleverly supports the voices, and helps illustrate the story of the tex...

This is a highly effective setting in four linked movements of poems by Federico Garcia Lorca. The music suggests the sounds, colours, and atmosphere of the Andalusian landscape. Perfectly encapsulati...

This setting of a Catalonian carol is cheerful, tender, and reverent. The interplay of two treble voices with each other and with the transparent orchestration provides many delightful moments. Orches...

The choral writing in this traditional hymn arrangement is straightforward but hugely effective.

From the upper-voice collection Times and Seasons, 'Night/Winter' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are b...

From the upper-voice collection Times and Seasons, 'Evening/Autumn' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, 'Midday/Summer' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

The title piece from a collection for upper voices, 'Hark, hark, the lark' is a setting by Alan Bullard of words from Shakespeare's Cymbeline. Scored for upper voices and piano, this serenely pastoral...

Originally published in Five Song for Upper Voices, this piece sets text by the ancient Chinese philospher Lau-Tzu, and explores the the idea that 'all things pass' in this ever-changing world. A cont...

With a text by Coventry Patmore, this short song in simple two part explores the timelessness of truth with a touch of melancholy. Originally published in Five Song for Upper Voices.

From the collection Hark, hark, the lark, 'Come unto these yellow sands' is a setting by Bob Chilcott of words from Shakespeare's The Tempest. This lively piece is scored for upper voices with piano,...

From the collection Hark, hark, the lark, 'Our revels now are ended' is a setting by Bob Chilcott of the famous monologue from Shakespeare's The Tempest. Scored for upper voices with piano, this rhyth...

From the collection For Him all Stars, 'Tomorrow shall be my dancing day' is an arrangement by Malcolm Pearce of the familiar carol. Scored for SA and organ, this accessible version features a support...

Scored for SSA voices and piano, Susa ninna begins and ends as a soothing lullaby, while the second verse reaches an exciting climax expressing the celebration of Christ's birth. English words are pre...