Partituren für Orchester

Kids love to play the energetic fiddling style of Celtic music that continues to be a hit with the incredible success of both the Lord of the Dance and Riverdance stage productions. With this new arra...

Narration by Virginia Russell With optional child soprano solo and optional SATB chorus; full set includes 40 voice parts.

Performance time - ca. 3:00

Includes optional vocal solo and SATB choir (40 parts included). Theme may be performed year-round as a single movement. I. Prologue II. Theme III. Christmas Eve Finale

Performance time - ca. 1:15

Total performance time - ca. 7:30 Includes: - Theme from High Noon* - Clock, Showdown and Finale Theme from High Noon may be performed independently with optional male vocal (performance time - ca. 2:...

Nobody Does It Better At the Ballet The Entertainer They're Playing My Song The Way We Were One What I Did for Love

Performance time - ca. 4:35

Performance time - ca. 13:00

Performance time - ca. 2:00

Performance time - ca. 2:30

Parade is a ballet with music composed by Erik Satie and a one-act scenario by Jean Cocteau. Created in 1916 for Sergei Diaghilev's Ballets Russes and hailed as Satie's 'cubist manifesto. ' Stripped o...

The nine symphonies composed by Anton Bruckner (1824-1896) constitute landmarks of the Austro-Germanic symphonic tradition. These staples of the orchestral literature possess a grandeur, nobility of v...

Lyrical transmutations of Norwegian folk songs enliven these 6 orchestral works featured in Holberg Suite And Other Orchestral Works In Full Score.

So moved was Gustav Mahler upon encountering a series of early nineteenth-century compilations of German folk poetry that he spent the next 14 years exploring their musical potential. This volume comp...

Written between 1905 and 1912, this evocative orchestral triptych expresses the national characters of three countries. Iberia is scored with Spanish castanets and tambourines. It is accompanied by Gi...

Nikolai Rimsky-Korsakov (1844 - 1908) was a prolific composer of orchestral works and many other forms of music, including chamber works and art songs. He also wrote many operas, excerpts from which a...

Instrumentation: 0100 - 0200 – timp – perc(2): BD/chimes/tgl/ch.cym/tam-t/vib/tom-tom/susp.cym/glsp – harp – strings

... conveyed an impression of a harsh, blistering landscape, which seemed at times on the point of eruption. Scotsman (Conrad Wilson), 27 August 1984, Instrumentation: 2.picc.2.2.2 - 4231 - timp(=BD)...

Instrumentation: 2.2(II=ca).2(II=bcl).2 - 2(1)00 - timp(=rototom or tom-t+glsp) - strings (min 4.4.3.3.2)

Music for Japan begins with a great sobbing breath of sound, rather like the deep chesty vocalism of Japanese classical singer-actors. Slow planetary wanderings of timbre and accent give way to a midd...

Lush and pictorial, it consisted of sharply defined sections that courted the charge of mere exoticism - evocations of Oriental musics and sounds, full of throbbing strings, rapidly reiterated percuss...

"Matthews calls the processes in Landscape `the irrational logic of a dream'. It might otherwise be described as an instinctive but masterful reinterpretation of sonata principles, surprising...