Pjotr Iljitsch Tschaikowski Noten für Flöte

Six pieces from Tchaikovsky's Nutcracker Suite (Miniature Overture, March, Danse of the Sugar Plum Fairy, Arab Danse, Danse of the Mirlitons, Chinese Danse) completely re-engraved and combined into on...

This product number is for the FULL SCORE ONLY. For the full set of score and parts, see product number FC-302. Six pieces from Tchaikovsky's Nutcracker Suite (Miniature Overture, March, Danse of the...

This is the first movement of Tchaikovsky's Serenade, titled 'Pezzo in forma di Sonatina' - A marvelous addition to the repertoire! Winner - 1998 NFA Newly Published Music Competition. Instrumentation...

The second of his three ballets, Peter Ilyich Tchaikovsky finished the score for 'The Sleeping Beauty' in 1889 and it was premiered in St. Petersburg, Russia at the Imperial Mariinsky Theatre on Janua...

for Two Flutes and Piano. Taken from Tchaikovsky's lesser-known Symphony No. 3, this work is ideal for students and light programs.

Comprised of themes from Tchaikovsky's entire Nutcracker Ballet, this is another '5-Minute Masterpiece.' Perfect for holiday performances, scored for Flute and Piano.

A super transcription of Dance des Mirlitons, Marche, and Trepak. Instrumentation: 3 C Flutes, Alto Flute

The Capriccio Italien of Peter Ilyich Tchaikovsky was composed in 1880, inspired by a trip he took to Rome. He writes to his friend and patroness Nadezhda von Meck in Russia: 'I have already completed...

Similar to many of his other works, The Nutcracker ballet of Peter Ilyich Tchaikovsky was not initially successful and only entered into the standard repertoire many decades following its premiere. De...

Swan Lake was composed by Peter Ilyich Tchaikovsky in 1875-76 and was not well-received at the Moscow premiere in 1877. In 1895, two years after the death of Tchaikovsky, Swan Lake was revived for a p...

Peter Ilyich Tchaikovsky composed the incidental music for Aleksandr Ostrovsky's musical drama, The Snow Maiden, in 1873. This movement, the Melodrama takes place in Act II, intimately scored only for...

Wirkungsvolle Zugabenstücke von zwei Meistern der Romantik. Diese neue Ausgabe ersetzt die ursprüngliche Erstausgabe: HE3, herausgegeben von der Hunt Edition, und die Version des European Music Archiv...

Wirkungsvolle Zugabenstücke von zwei Meistern der Romantik. Diese neue Ausgabe ersetzt die ursprüngliche Erstausgabe: HE3, herausgegeben von der Hunt Edition, und die Version des European Music Archiv...

From Tschaikowsky's immortal Nutcracker, this selection for grade 5 piccolo players retains the original style of the classic theme, making it a perfect choice for contests and recitals. Duration 1:20...

From Tschaikowsky's immortal Nutcracker, this selection for grade 5 piccolo players retains the original style of the classic theme, making it a perfect choice for contests and recitals. Duration 1:20...

Beautifully transcribed from Tschaikowsky's Album For The Young, this vivid portrayal of a bird in flight is ideally suited to piccolo and flute soloists. Good finger dexterity and the ability to main...

This short, moderate tempo march is arranged for 2 piccolos, 7 flutes, alto flute in G (Bb Clarinet alt.), and optional Glockenspiel.

Nach dem 'Karneval der Tiere' und der 'Moldau' widmet sich Jennifer Seubel nun der 'Nussknackersuite' von Pjotr Iljitsch Tschaikowski und setzt sie für zwei Querflöten. Der Reigen sehr bekannter und ä...

Violin part edited by David Oistrakh, Guitar part transcribed and edited by Allen Krantz

Selections from Tchaikovsky's beloved Nutcracker ballet are now available in authentic, detailed arrangements for solo instrument and piano. Perfect for the holiday season! Includes online piano accom...

Nach dem "Karneval der Tiere" und der "Moldau" widmet sich Jennifer Seubel nun der "Nussknackersuite" von Pjotr Iljitsch Tschaikowski und setzt sie für zwei Querflöten. Der Reigen sehr bekannter und ä...

This famous excerpt from Act II of Tschaikowsky's immortal Nutcracker suits the idiomatic strengths of flutes to a tee! Crisp articulation of the repetitive 16th-note figures in all parts is essential...