Richard Rodgers Big Band Noten

Lennie Niehaus wrote a series of terrific arrangements for the Stan Kenton Orchestra (this was recorded on the 'Stage Door Swings' CD). This chart is a medium-swing version of a great Rodgers and Hamm...

Diese beliebte Melodie aus The Sound of Music wird hier als Jazz-Walzer behandelt und zeichnet sich durch einen entspannten und leicht fließenden Swing-Stil aus. Die Melodie wird von Gruppe zu Gruppe...

Grades 1-2. (Sweeney)

This Rodgers and Hart standard has been recorded countless times and remains a popular choice for singers and instrumentalists alike. Mark's lush setting can also be used as a tenor sax feature and in...

Arranged by Lisa DeSpain as a tasty swing chart featuring a piano solo and a 1st trumpet solo. A few drum fills and the lead trumpet range is to written G on top of the staff. Lisa is a superb arrange...

A trumpet ballad feature with a double-time section with everything written out, easy ranges, some nice substitute chords and lush harmonies, and it's easy to put together. (3:49)

A swing vocal chart on a great standard that includes plenty of space for the singer to be heard. Arranged in two keys for flexibility, the low key is F with vocal range from G below middle C to 3rd l...

Diese von Billy Mays Chart, der für Anita O'Day geschrieben wurde, transkribierte Chart bringt einen Song, der normalerweise eher als sehr langsame Ballade gespielt wird, in den Bereich des Slow Swing...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...

From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding balla...