Roger Niese: Mittelschwere Noten
Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
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Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
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Sapho" is an opera by Charles Gounod to a libretto by Émile Augier which was premiered in 1851. The story of the opera is based on the legends of the Greek poet Sappho, her love for Phaon and her suic...
Sapho" is an opera by Charles Gounod to a libretto by Émile Augier which was premiered in 1851. The story of the opera is based on the legends of the Greek poet Sappho, her love for Phaon and her suic...
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Sapho" is an opera by Charles Gounod to a libretto by Émile Augier which was premiered in 1851. The story of the opera is based on the legends of the Greek poet Sappho, her love for Phaon and her suic...
Sapho" is an opera by Charles Gounod to a libretto by Émile Augier which was premiered in 1851. The story of the opera is based on the legends of the Greek poet Sappho, her love for Phaon and her suic...
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At the end of his life Offenbach composed his opera 'Les contes d'Hoffman', but unfortunately he was not able to finish it. The plot tells the story of the poet Hoffmann telling three of his amorous a...
At the end of his life Offenbach composed his opera 'Les contes d'Hoffman', but unfortunately he was not able to finish it. The plot tells the story of the poet Hoffmann telling three of his amorous a...
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Eduard Strauss (1835 - 1916) war ein österreichischer Komponist, der zusammen mit seinen Brüdern Johann Strauss II und Josef Strauss die Strauss-Musikdynastie bildete. Seine Popularität wurde von der...
Eduard Strauss (1835 - 1916) war ein österreichischer Komponist, der zusammen mit seinen Brüdern Johann Strauss II und Josef Strauss die Strauss-Musikdynastie bildete. Seine Popularität wurde von der...
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The 'ballata' Questo o quella is sung by Il Duca de Mantua in the first act of Giuseppe Verdi's Opera Rigoletto. Among a group of guests he sings of his love-life: this one or that one, to me it's the...
The 'ballata' Questo o quella is sung by Il Duca de Mantua in the first act of Giuseppe Verdi's Opera Rigoletto. Among a group of guests he sings of his love-life: this one or that one, to me it's the...
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The 'ballata' Questo o quella is sung by Il Duca de Mantua in the first act of Giuseppe Verdi's Opera Rigoletto. Among a group of guests he sings of his love-life: this one or that one, to me it's the...
The 'ballata' Questo o quella is sung by Il Duca de Mantua in the first act of Giuseppe Verdi's Opera Rigoletto. Among a group of guests he sings of his love-life: this one or that one, to me it's the...
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The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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Ich lade gern mir Gäste ein wird von Fürst Orlovsky im zweiten Akt der "Fledermaus" gesungen: Er selbst ist von seinem Reichtum permanent gelangweilt, besteht aber darauf, dass sich seine Gäste auf se...
Ich lade gern mir Gäste ein wird von Fürst Orlovsky im zweiten Akt der "Fledermaus" gesungen: Er selbst ist von seinem Reichtum permanent gelangweilt, besteht aber darauf, dass sich seine Gäste auf se...
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Der Vogelfänger bin ich ja is sung by Papageno, the birdcatcher at the very beginning of Mozart's opera Die Zauberflöte: covered with feathers he introduces himself by singing a ditty in popular style...
Der Vogelfänger bin ich ja is sung by Papageno, the birdcatcher at the very beginning of Mozart's opera Die Zauberflöte: covered with feathers he introduces himself by singing a ditty in popular style...
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Der Vogelfänger bin ich ja is sung by Papageno, the birdcatcher at the very beginning of Mozart's opera Die Zauberflöte: covered with feathers he introduces himself by singing a ditty in popular style...
Der Vogelfänger bin ich ja is sung by Papageno, the birdcatcher at the very beginning of Mozart's opera Die Zauberflöte: covered with feathers he introduces himself by singing a ditty in popular style...
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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The aria Ein Mädchen oder Weibchen is sung by Papageno near the very end of Mozart's opera Die Zauberflöte. He sighs for someone to love. (Baritone and Concert Band)
The aria Ein Mädchen oder Weibchen is sung by Papageno near the very end of Mozart's opera Die Zauberflöte. He sighs for someone to love. (Baritone and Concert Band)
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his operetta's made him clear that he had to gif his talents to the genre. Der Zarewitsch is one of tho...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his operetta's made him clear that he had to gif his talents to the genre. Der Zarewitsch is one of tho...
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Paul Lincke (1866-1946) is Germany's best known operetta composer and often compared with Austria's Johann Strauss. He composed a lot of operetta's, songs, dance- , revue- and filmmusic. From 1893 til...
Paul Lincke (1866-1946) is Germany's best known operetta composer and often compared with Austria's Johann Strauss. He composed a lot of operetta's, songs, dance- , revue- and filmmusic. From 1893 til...
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