Rosephanye Powell Noten für gemischten Chor

Rosephanye Powell is known for her ability to bring earthy, rhythmic ostinato patterns to a classical level, and she has done it again with this one. Commissioned and composed for the National Women's...

This new setting of the traditional Latin text is a perfect teaching piece for women's choirs. The strong piano accompaniment combined with tender vocal lines creates much opportunity for musical expr...

Psalm 42 is the inspiration for this breathtaking work from Rosephanye Powell. Strong vocal lines coupled with an arresting piano accompaniment provide multiple opportunities for musical expression.

This exciting new setting for SSA voices begins with Swing Low, Sweet Chariot followed by Deep River then Nobody Knows the Trouble I've Seen. It then gloriously combines all three melodies to Glory, h...

This in an outstanding collection of twelve African-American spirituals arranged for upper voices. Rosephanye and William C. Powell have collaborated with some of the most talented and respected spiri...

Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...

Rosephanye Powell released a gripping arrangement for mixed voices in 2004 that has enjoyed steady use. This SSAA arrangement remains true to the unique qualities of the previous voicing - heart-wrenc...

Rosephanye Powell released a gripping arrangement for mixed voices in 2004 that has enjoyed steady use. This SSAA arrangement remains true to the unique qualities of the previous voicing - heart-wrenc...

Ooohs and ahhhs will emerge from the audience when this lovely gem is heard. The message of peace and justice are stated as a gentle prayer based on Psalm 85:10. Melodic and painted with subtle harmon...

The SATB setting of Non Nobis Domine has become one of Rosephanye Powell's most celebrated works. The driving energy and ostinato rhythms are classic elements from Rosephanye's pen. Her husband Willia...

Another winner from Rosephanye Powell! This setting for four-part a cappella women will dazzle the ears of all who hear it. A fabulous festival piece, it will shine in church and school.

Renowned composer Rosephanye Powell takes a traditional field shout and presents it with care for an authentic sound. There is great passion in this approach and will provide an excellent opportunity...

The traditional sound of the male glee club is at the forefront with this brilliant setting of a text by Robert Louis Stevenson composed for the 125th anniversary of the University of Pittsburgh Men's...

The traditional sound of the male glee club is at the forefront with this brilliant setting of a text by Robert Louis Stevenson composed for the 125th anniversary of the University of Pittsburgh Men's...

Jetzt für Männerstimmen erhältlich! 'Sorida' ist eine afrikanische Begrüßung in der Shona-Sprache in Simbabwe, ähnlich wie 'Shalom' auf Hebräisch oder 'Jambo' auf Suaheli. Ein Originalwerk mit Percuss...

Jetzt für Männerstimmen erhältlich! 'Sorida' ist eine afrikanische Begrüßung in der Shona-Sprache in Simbabwe, ähnlich wie 'Shalom' auf Hebräisch oder 'Jambo' auf Suaheli. Ein Originalwerk mit Percuss...

First written for SSAA voices and commissioned for the ACDA National Convention in New York, Rosephanye Powell brought her classic style to this beloved spiritual. Husband William has revoiced it for...

The Word Was God by Rosephanye Powell, arranged by William Powell for TTBB choir.

Adapted from a Bantu folksong, this gently teasing song translates as I love you, but you do not love me. How is that? If you do not love me, you had better tell me so. Performance Time: Approx. 2:50....

This West African folksong is arranged as a call and response easily mastered by all choirs. Suggested African percussion is included and could be enhanced with body percussion and simple movements.

This Caribbean folk song is an irresistible change of pace that makes light of man's inability to please a woman. Features a soloist and optional Latin percussion. In the interest of fairness, an SSAA...

Although Rosephanye often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord has been one of her mo...

Although Rosephanye often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord has been one of her mo...

This is the 1st piece in the suite 'Three Spanish Songs for Men's Choir' As is always the case, IPA pronunciation guide is provided with the music and a fine recording is available to aid in style.

Here is the second song in the suite Three Spanish Songs for Men's Choir. This music is powerful and energetic with a stylistic piano part.