Sammy Nestico: Mittelschwere Noten

Originally recorded by Count Basie, then re-recorded in 2005 by the SWR Big Band CD Basie-cally Sammy, this medium tempo chart featuring a small combo within the jazz ensemble has an unconventional ch...

Solo-Jazzballade für Altsaxophon

This tune has a comfortable tempo, easy ranges, well-balanced ensemble chorus and a very handsome harmonic structure. All parts are interesting and contribute to the whole picture. Trumpet, alto sax a...

Diese vereinfachte Version des Swing-Klassikers, der vom Count Basie Orchestra aufgenommen wurde, beginnt mit einem 12-taktigen Klaviersolo, das von Gitarre, Bass und Schlagzeug begleitet wird, bevor...

Scored for augmented jazz ensemble, this version of the old Scottish favorite is set in a very relaxed two-beat feel that clears the way for everyone to focus on playing with exaggerated dynamic contr...

Scored for augmented jazz ensemble, this version of the old Scottish favorite is set in a very relaxed two-beat feel that clears the way for everyone to focus on playing with exaggerated dynamic contr...

Der Komponist Neal Hefti schrieb diesen Swinger-Klassiker für Count Basie, und der legendäre Arrangeur Sammy Nestico hat ihn für die Jazz Band Series bearbeitet. Ihre Band wird mit diesem Stück in mit...

Mack the Knife aus der Dreigroschenoper ist für High School- und fortgeschrittene Junior High School-Bands konzipiert. Die Instrumentierung umfasst 5 Saxophone, 8 Blechbläser und 4 Rhythmusstimmen. Op...

Recorded on the SWR big Band CD Fun Time, this medium tempo ballad has an irresistible Latin beat.

Sammy features the saxophones in this medium swing arrangement of the Cole Porter standard. Wonderful ensemble writing. No solos required.

Sammy has done a masterful job with this early jazz classic. Written specifically wtih younger players in mind, this one is guaranteed to boost your band's confidence level and help them sound terrifi...

Sammy features the saxophones in this medium swing arrangement of the Cole Porter standard. Wonderful ensemble writing. No solos required.

Originally recorded by Count Basie and played by him at a Grammy Awards concert, this arrangement was also recorded by the SWR Big Band in 2005 on their CD 'Basie-cally Sammy.' It has optional solos f...

Originally recorded by Count Basie and played by him at a Grammy Awards concert, this arrangement was also recorded by the SWR Big Band in 2005 on their CD "Basie-cally Sammy." It has optional solos f...

From the Basie-Straight Ahead recording of 1968 featuring the legendary Count Basie, Harold Jones, Grover Mitchell, Marshall Royal and Freddie Green, highlights here include a recurring alto/trumpet d...

As recorded on the great Basie-Straight Ahead album of 1968 by Count Basie, this swing outing features solid section and full-ensemble writing, brass buckets, sax scoops, drum fills, and piano in the...

As recorded by Count Basie & His Orchestra for their Basie Straight Ahead album of 1968, this classic blues features a moderate tempo, piano and tenor solos, solid sax and brass solis, and a series of...

Opening with a light waltz in the style intended by Borodin, the music gives way to a medium swing style featuring bucket-muted brass and sax section solis. For best results, good breath support and s...

Opening with a light waltz in the style intended by Borodin, the music gives way to a medium swing style featuring bucket-muted brass and sax section solis. For best results, good breath support and s...

Approached with a stylistic lightness that should be well articulated, the strength and appeal of this setting comes from striking contrasts in dynamics and color -- one minute it's soft and subdued,...

Approached with a stylistic lightness that should be well articulated, the strength and appeal of this setting comes from striking contrasts in dynamics and color -- one minute it's soft and subdued,...

In this delightful adaptation for augmented jazz ensemble, a grandiose introduction gives way to a solid, medium-tempo swing that will have all feet tapping. By using the full range of dynamics, the e...

In this delightful adaptation for augmented jazz ensemble, a grandiose introduction gives way to a solid, medium-tempo swing that will have all feet tapping. By using the full range of dynamics, the e...

Recorded in 1971 by the Count Basie Orchestra on the album Have A Nice Day, this Nestico classic opens with a short ensemble blast at fortissimo-plus before two trombones (1st and 2nd) present the mai...

Recorded in 1971 by the Count Basie Orchestra on the album Have A Nice Day, this Sammy Nestico classic opens with a short ensemble blast at fortissimo-plus before two trombones (1st and 2nd) present t...