Shenandoah Noten

Here is a different sound for the traditional American folksong. Larry McKenna, a great jazz musician, wrote this work with jazz harmonies in jazz ballad style. It is easy to play and Larry knows how...

This beautiful and emotional arrangement shines the spotlight on your winds. Add its powerful 'push' and conclude your performance in spectacular style!

Based on an extremely well known American folksong, Shenandoah captivates listeners from the opening bars. The warm tones of this lovely melody for wind band will provide a calming interlude in your c...

A new compilation of some intermediate favorites as performed by the Canadian Brass. All parts available separately.

A new compilation of some intermediate favorites as performed by the Canadian Brass. All parts available separately.

A new compilation of some intermediate favorites as performed by the Canadian Brass. All parts available separately.

A beautiful setting of this famous melody! It begins with a solo or soli for any instrument(s), then flows in and out of various textures, building to a dramatic finale. Very effective in helping smal...

Acapella. 6 tenors and 2 bass. Commissioned by Mr. Jefferson's Bones for a mass choir performance during Tromblowin' 2013 at James Madison University, this beautiful acapella arrangement of Shenandoah...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...

Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studi...