Sologesang Noten

For countertenor & guitar. These two motets were written at the request of the Park Lane Group. They are both settings of contemplative, religious (but non-liturgical) texts and both are cast in a rep...

For high voice and piano. These two short songs are set to texts by A E Housman and Edward Thomas.

These three songs for soprano or tenor were sketched when the composer was a student at the Royal Academy of Music in the late 1960s, and subsequently revised. The texts are by W. B. Yeats, Wilfred Ow...

For solo soprano and piano. In the manner of a French chanson, this is a charming lullaby on a text by Victor Hugo. A sweet, simple melody is underpinned by a delicate fluid accompaniment and rich har...

Words by Shakespeare set for soprano and piano Range e flat'-g'

This is the first publication of three of Walton's early songs (1918) for high voice and piano. Lyrical and charming, the songs are firmly in the English pastoral vein. The set is completed with 'The...

This is the first publication of three of Walton's early songs (1918) for high voice and piano. Lyrical and charming, the songs are firmly in the English pastoral vein. The set is completed with 'The...

Eleven songs for tenor and piano

The texts are selected from the letters of Calamity Jane to her daughter by Wild Bill Hickok. The five songs present a stirring picture of an independent woman's struggle.

For soprano and piano. Based on poetry by Elizabeth Barrett Browning, Sonnets from the Portugese explores the finding of a mature love by a woman who wonders what part of her must she sacrifice to the...

Six sacred songs on texts by women poets, suitable for use separately in services, or as a complete cycle in recitals.

A song cycle for soprano and piano drawn from Brenda Ueland's 1938 autobiography.

The objective through these exercises is to help the pupil produce a pure resonant tone on clearly enunciated words. The work is divided into four sections; Preparatory Exercises on Vowels and Consona...

A superb collection of standard repertoire for the classical singer. Titles range from Baroque to late 19th century and titles often appear on the ABRSM singing syllabus.

Version for High Voice and Piano.

A collection of the most admired songs of Scotland, arranged with pianoforte accompaniment by J. Michael Diack.

Arranged by Bernard Jacobson. For Soprano, Piano.