Tarik O'Regan Noten für gemischten Chor

Ecce Puer was first performed on 14 December 2012 at St Thomas' Cathedral, Portsmouth, by The Portsmouth Grammar School Chamber Choir, directed by Sam Gladstone with Oliver Hancock (organ). For SATB m...

Written for the Choir of Queen's College Cambridge, this setting of the Cantate Domino was composed to commemorate the restoration of the College chapel's historic 1892 Binns Organ. The work shares so...

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary's Church, Dorchester in a performance on 22nd Ma...

Jubilate Deo was commissioned by the Friends of Sheffield Cathedral for Neil Taylor and the Cathedral Choirs to celebrate the opening of the Cathedral's Community Resources Centre on 6th March 2007. T...

Written for SATB chorus, brass quintet and organ.

Jubilate Deo was commissioned by William and Elizabeth Bayne for the Friends of Cathedral Music, Cathedral of St John, Albuquerque New Mexico as part of the Cathedral Commissions series. First perform...

Israfel is an arranged excerpt from The Ecstasies Above. The latter was commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale...

Setting a secular text by the sixteenth-century poet John Fletcher, this rich, sonorous piece bursts with invention and word-painting like a large-scale madrigal. The piece works equally well with or...

I sleep, but my heart waketh was commissioned by the National Youth Choir of Great Britain and premiered by them in a concert at Manchester's Bridgewater Hall directed by Michael Brewer on 15th April,...

A solemn prayer setting for Candlemas, from Sequence For St. Wulfstan. Commissioned by the choir of St. Mary's Episcopal Cathedral, Edinburgh and first performed in February 2005.

The SATB version from O'Regan's 'Triptych'.

Full score for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also available: NOV162404-01: Percussion partsNOV162404-02: Vocal Score

Percussion Parts for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also Available: NOV162404: Full scoreNOV162404-02: Vocal score

Commissioned by Tim Brown and the Choir of Clare College, Cambridge.

Commissioned by the British Broadcasting Corporation for the Pro Musica Girls' Choir of Hungary, winner of the 2003 Let the Peoples Sing competition.

Commissioned by Spitalfields Festival. First performed by The Orlando Consort at the Spitalfields Festival 2006.

Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John's College, Cambridge and was premièred under the direction of David Hill in the College ch...

Hymnus de Sancte Andree Apostole, commissioned by Wells Cathedral, received its first performance during a live broadcast of Choral Evensong on BBC Radio 3 on 29th November 2006, the Eve of St. Andrew...

Written for Soprano and Tenor soloists and SATB chours. These two short Emily Dickinson (1830-1886) settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series...

For SATB Chorus. Jointly commissioned by the National Chamber Choir and the Cork International Choral Festival for the seminar 'from composition to performance, the seminar on choral music'. This work...

Commissioned by the Musicians Benevolent Fund in the name of Sir Thomas Armstrong. Voce mea was first performed at the Festival of Saint Cecilia Service in Westminster Cathedral on 19th November 2008...

Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in...

The Great Silence (setting Edward Thomas' poem Snow) was commissioned by Timothy Brown and the Choir of Clare College, Cambridge. It was premiered under the direction of Timothy Brown in St John's, Sm...

O'Regan's setting of a text by Mark Pryce is a beautiful and peaceful Christmas carol, written for full mixed chorus with Harp accompanying.

A setting for unaccompanied SSAATTBB choir of lines by the Japanese poet Yone Noguchi contemplating the theme of night. Slow and sustained, the music opens and closes in hushed tones, steadily swellin...