Vince Gassi: Leichte Noten

This chart swings all the way and is very playable by a young band. Arranger Vince Gassi captures the essence of this well-known Strayhorn composition made famous by Ellington, and scored it exactly r...

All the key ingredients you would expect on this timeless swing tune and it's accessible to rehearse and play. Features include the iconic drum pattern as it recurs throughout, easy brass ranges with...

This medium swing arrangement of the dreamy Ellington tune will cook at just about any tempo but the recommend tempo is 108 BPM. The chart features a written tenor sax solo and a lot of interplay betw...

This medium swing arrangement of the dreamy Ellington tune will cook at just about any tempo but the recommend tempo is 108 BPM. The chart features a written tenor sax solo and a lot of interplay betw...

This medium swing arrangement of the dreamy Ellington tune will cook at just about any tempo but the recommend tempo is 108 BPM. The chart features a written tenor sax solo and a lot of interplay betw...

A swingin' chart at 148 BPM with an easy melody line, a written tenor solo, and easy brass ranges - all good. A mature sounding yet easy to play arrangement. (2:21)

A swingin' chart at 148 BPM with an easy melody line, a written tenor solo, and easy brass ranges - all good. A mature sounding yet easy to play arrangement. (2:21)

A swingin' chart at 148 BPM with an easy melody line, a written tenor solo, and easy brass ranges - all good. A mature sounding yet easy to play arrangement. (2:21)

'Big Band Theory' von Vince Gassi ist ein launiger Swingtitel mit Soli für Tenorsaxophon, Posaune, einfachen Stimmen für die Blechbläser sowie einer optionalen Stimme für Vibraphon.

'Big Band Theory' von Vince Gassi ist ein launiger Swingtitel mit Soli für Tenorsaxophon, Posaune, einfachen Stimmen für die Blechbläser sowie einer optionalen Stimme für Vibraphon.

'Big Band Theory' von Vince Gassi ist ein launiger Swingtitel mit Soli für Tenorsaxophon, Posaune, einfachen Stimmen für die Blechbläser sowie einer optionalen Stimme für Vibraphon.

This driving jazz waltz is played around 158 BPM with a haunting melody that stays with you. Includes a written tenor sax solo, fine ensemble writing, lyrical lines throughout all the while accessible...

This driving jazz waltz is played around 158 BPM with a haunting melody that stays with you. Includes a written tenor sax solo, fine ensemble writing, lyrical lines throughout all the while accessible...

This driving jazz waltz is played around 158 BPM with a haunting melody that stays with you. Includes a written tenor sax solo, fine ensemble writing, lyrical lines throughout all the while accessible...

An ominous theme opens this exciting new original work by Vince Gassi. Set in the Dorian mode, Crusade develops with vibrant and dramatic energy, conjuring images of strength, majesty and passion. It...

An ominous theme opens this exciting new original work by Vince Gassi. Set in the Dorian mode, Crusade develops with vibrant and dramatic energy, conjuring images of strength, majesty and passion. It...

An ominous theme opens this exciting new original work by Vince Gassi. Set in the Dorian mode, Crusade develops with vibrant and dramatic energy, conjuring images of strength, majesty and passion. It...

This delightful arrangement of 'Ding Dong Merrily on High' is sure to become a seasonal favorite with students and audiences alike. This popular Canadian composer's joyous harmonies and cheerful rhyth...

Canadian composer Vince Gassi takes your young musicians on a voyage of courage and bravery with Flight of the Intrepid and its driving rhythms and heroic harmonies. A solemn lyrical section with inde...

Canadian composer Vince Gassi takes your young musicians on a voyage of courage and bravery with Flight of the Intrepid and its driving rhythms and heroic harmonies. A solemn lyrical section with inde...

This inspirational setting for band will provide a refreshing change of pace for your next concert. It is one of Canada's most popular folk songs and a favorite with Boy Scouts, Girl Guides, and campe...

Melodies are like vectors. They have direction and magnitude that play with, and against, each other. This new work begins with vector 1 (woodwinds) followed by vector 2 (brass) fluidly issuing forth...

Melodies are like vectors. They have direction and magnitude that play with, and against, each other. This new work begins with vector 1 (woodwinds) followed by vector 2 (brass) fluidly issuing forth...

Melodies are like vectors. They have direction and magnitude that play with, and against, each other. This new work begins with vector 1 (woodwinds) followed by vector 2 (brass) fluidly issuing forth...

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