Noten für Orchesterbesetzungen

Here's a great 1940s Glenn Miller standard that will get any string orchestra swinging! The tunes, rhythms, and harmonies of the big-band era all come alive in this clever arrangement. All the string...

Taking its name from the epicenter of Southern jazz in Memphis, this fun little boogie will get the orchestra moving! Featuring accidentals and chromatic passages throughout, each section gets its tur...

Taking its name from the epicenter of Southern jazz in Memphis, this fun little boogie will get the orchestra moving! Featuring accidentals and chromatic passages throughout, each section gets its tur...

Taking its name from the epicenter of Southern jazz in Memphis, this fun little boogie will get the orchestra moving! Featuring accidentals and chromatic passages throughout, each section gets its tur...

Finally, there is a simple and straightforward string piece in G Major, aimed towards introducing your ensemble to 5/4 time. Almost like a 'jazz waltz,' this composition will guide your students with...

Schließlich gibt es noch ein einfaches und unkompliziertes Streicherstück in G-Dur, das Ihr Ensemble in den 5/4-Takt einführen soll. Fast wie ein "Jazz-Walzer" führt diese Komposition Ihre Schüler mit...

Imagine the basic form of Gershwin's 'I Got Rhythm' with chord changes and style as if James Taylor was accompanying old-time fiddlers, and you have this cool, original jazz tune. Both written solos a...

Imagine the basic form of Gershwin's 'I Got Rhythm' with chord changes and style as if James Taylor was accompanying old-time fiddlers, and you have this cool, original jazz tune. Both written solos a...

Imagine the basic form of Gershwin's 'I Got Rhythm' with chord changes and style as if James Taylor was accompanying old-time fiddlers, and you have this cool, original jazz tune. Both written solos a...

This original work is full of lively rhythms conjuring up images of an old-time, turn-of-the-century amusement park. A smattering of chromaticism and quick dynamic changes keep this rondo-like work fu...

This original work is full of lively rhythms conjuring up images of an old-time, turn-of-the-century amusement park. A smattering of chromaticism and quick dynamic changes keep this rondo-like work fu...

This original work is full of lively rhythms conjuring up images of an old-time, turn-of-the-century amusement park. A smattering of chromaticism and quick dynamic changes keep this rondo-like work fu...

A fun and challenging multi-meter work for a mature school orchestra! The waltz stalls and lurches through the melody with rapidly changing time signatures to give a crazy, off-kilter feel to the work...

A fun and challenging multi-meter work for a mature school orchestra! The waltz stalls and lurches through the melody with rapidly changing time signatures to give a crazy, off-kilter feel to the work...

This beautiful lyrical work is easy enough for an advanced middle school orchestra yet sophisticated enough for any high school group. The long flowing melodic shapes and loure bowing give the orchest...

This beautiful lyrical work is easy enough for an advanced middle school orchestra yet sophisticated enough for any high school group. The long flowing melodic shapes and loure bowing give the orchest...

This beautiful lyrical work is easy enough for an advanced middle school orchestra yet sophisticated enough for any high school group. The long flowing melodic shapes and loure bowing give the orchest...

This upbeat party-time piece could open or close a concert perfectly. Every section gets a soli and there is an optional section for improvisation. Everyone will be singing the melody on the road trip...

This upbeat party-time piece could open or close a concert perfectly. Every section gets a soli and there is an optional section for improvisation. Everyone will be singing the melody on the road trip...

This upbeat party-time piece could open or close a concert perfectly. Every section gets a soli and there is an optional section for improvisation. Everyone will be singing the melody on the road trip...

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompanimen...

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompanimen...

Try assigning the first 32 digits of Pi to a scale degree to create five melodies that flow together, and you'll have a start to this awesome composition. With a light jazzy feel, driving accompanimen...

Alle musikalischen Höhepunkte aus George Gershwins sinfonischer Tondichtung 'An American in Paris' aus dem Jahr 1928 in etwas mehr als vier Minuten! Bestens für Streichorchester mit optionaler Percuss...

Alle musikalischen Höhepunkte aus George Gershwins sinfonischer Tondichtung 'An American in Paris' aus dem Jahr 1928 in etwas mehr als vier Minuten! Bestens für Streichorchester mit optionaler Percuss...